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The Sexual Violence in LGBTQIA+ YA Literature Project Index

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For the past two weeks, Teen Librarian Toolbox focused on sexual violence in LGBTQIA+ young adult literature. This is part of our blog’s larger ongoing sexual violence in young adult literature (or SVYALit) project.

 

We’re grateful to Vee Signorelli, admin and co-founder of GayYA, and Nita Tyndall, a moderator at GayYA. who have helped us brainstorm, organize, and facilitate this project. This series launched on August 3, 2015 with this introductory post. 

 

Below is a listing of every contributor and a summary, link, and excerpt of each of their posts. We greatly appreciate all of the support we’ve had during this project—every retweet, favorite, or comment we’ve gotten has meant so much. Check out the index and see what posts you might have missed. Please share this index and these posts widely. Not much has been written on the subject of sexual violence in LGBTQIA+ YA literature. This project goes a long way toward helping change that.

 

Meet the contributors to our series and get an overview of the posts:

 

Rob Bittner (@r_bittneris a PhD candidate in Gender, Sexuality, and Women’s Studies at Simon Fraser University. He has a history of working with children’s and YA literature in various contexts, including his MA degree and various award committees through the American Library Association. In his post, Violence in LGBTIQ Fiction for Young Adults,” he writes about the obligatory sexual violence scene in YA books.

 

While I understand that authors often include these instances of violence in order to lend a sense of realism to the story, I feel that having an overabundance of such situations in YA gives the impression that to come out as L, G, B, T, I, Q, etc., inevitably leads to violence or unavoidable negative consequences. The same goes for uses of homophobic/transphobic language in novels as a way of realistically portraying the cruelty of homophobic/transphobic individuals. The use of such language, however, also troubles many readers who hear these words being hurled at them in real life. Sometimes I think it’s okay to have a book that contains challenges for characters, and references life’s complexities, without necessarily including scenes of violence and/or homophobic language.

 

 

Eden Grey (@edenjeangrey) is the Young Adult Programming Librarian at the busiest branch library in Kentucky. Eden is a reviewer for Young Adult Books Central and School Library Journal. In her post, “Sex and Consent in LGBT Manga,” she explores the differences between portrayals of sex in lesbian and gay manga and heterosexual romance stories in manga.

 

Should we be sharing these stories with our teens? Is it our place to decide what kind of sex they should and should not have access to? Is the answer as simple as ordering popular and requested manga and placing the explicit ones in the Adult section? These are questions rarely asked or discussed in Libraryland, and that’s really unfortunate. If we’re ordering these manga for our teens we should be discussing the sexual violence in them with readers. We should use this as an opportunity to talk about the issue of consent.

 

 

Dahlia Adler (@MissDahlELamais an Associate Editor of Mathematics by day, a blogger for B&N Teens by night, and writes Contemporary YA and NA at every spare moment in between. She’s the author of the Daylight Falls duology, the upcoming Just Visiting, and Last Will and Testament. In “Why Heteronormativity in YA Hurts More Than You Think,” she examines consent and power dynamics in LGBTQ YA.

 

Whether the participants are straight, queer boys, queer girls, queer non-binary people, or any combination of the above, when writing people having sex (especially teens), I think we do a great disservice by glossing over the existence of a power dynamic. Especially the first time, the existence of one is nearly always present; sometimes we just have to dig a little deeper to find it. Writing YA lit is an incredible opportunity to show what consent can and should look like, how much closer it can make you, how sexy it can be. If YA sex scenes often seem like wish fulfillment, well, that’s an aspect I’m okay with teens reading and thinking, “That’s what I want and I’ll settle for nothing less.”

 

 

Marieke Nijkamp (@mariekeynis a storyteller, dreamer, globe-trotter, geek. She holds degrees in philosophy, history, and medieval studies, and wants to grow up to be a time traveler. In the midnight hours of the day she writes young adult stories as well as the occasional middle grade adventure. Her debut young adult novel THIS IS WHERE IT ENDS will be out from Sourcebooks Fire on January 5, 2016. In her post, “Microaggressions and Sexual Violence,” she looks at how microaggressions and sexual violence are closely related as symptoms of a culture that both sexualizes teens’ experiences and others or even fetishizes experiences that deviate from a supposed norm.

 

That doesn’t place microaggressions side to side with sexual violence, but they are closely related. They are a both symptoms of a culture that both sexualizes teens’ experiences and others or even fetishizes experiences that deviate from a supposed norm. A culture where the mere presence of queer characters means a YA book isn’t “clean” and where queer characters making out is still too often perceived as “having an agenda” while a cishet couple is simply romantic.

 

Vee Signorelli (@rausicabklvrspends their time writing, reading, hunting through queer book tags on tumblr, and keeping up with school. They’re a passionate feminist, a huge fan of actual representation in media, and a lover of theatre, mythology, and biology. Vee is the admin and co-founder of GayYA.org. In their post, “Sex and Romance in Trans YA,” they look at the books in which trans characters have sex, get swept off their feet by a dashing love interest, and explain to their date that they’re trans and have them respond affirmatively.

 

Trans YA can have a strong impact on what trans youth understand about themselves. I’ve learned about identity politics through tumblr and non-fiction works, but reading trans YA helped me figure out how I could exist happily in the world. Seeing someone like you go through the things you’re going through, and things you never thought you’d experience can change a lot. Reading about trans characters in romantic relationships helped me see a future for myself and expel most of the seemingly infinite amount of shame I had around being trans.

 

Rachel Gold (@RachelGoldis the author of Just Girls (Bella Books 2014) and the award-winning Being Emily (Bella Books 2012), the first young adult novel to tell the story of a trans girl from her perspective. She has an MFA in Writing from Hamline University and has spent the last 14 years working in Marketing and Publicity. In her post, “Tough Girls Talk About Rape,” she talks about female-female partner/date rape in her book Just Girls and shares her own personal story.

 

I wrote about it because I wish something like this never happens again to another girl in the history of the world. And I wrote about it because that the same kind of partner rape that happened to Tucker happened to me when I was 17 — so I know how confusing and devastating it feels.

 

I know how alone you feel when you’re still trying to understand what the hell happened and wondering if it’s ever happened to anyone else. I know what it’s like to try to tell people and have them look at you like they want to help but they can’t begin to understand what you said. I know what it’s like to be afraid that you’re the only person bad enough for this to happen to.

 

Sarah Benwell (@SWritesBooks) is a queer, genderqueer author. She lives in the picturesque city of Bath. Which is nice, but she’d much rather be off exploring deserts and jungles elsewhere. Having seen a good chunk of the world, Sarah is a keen advocate for diversity in life and on bookshelves, and she loves nothing more than acquainting herself with both. Her debut novel THE LAST LEAVES FALLING is published by Penguin Random House (UK)/ Simon & Schuster (US). In her post, “Why We Need Abuse and Sexual Violence/Abuse in LGBTQIA YA,” she argues for the importance of these narratives as they show us that we’re not alone and that others have walked this same path.

 

And when you’re growing up and you already feel different and misunderstood and scared, books can help. Yes, they might show us some of the worst possibilities – but they allow us to read through to the end and survive. To learn how, to learn that it’s possible.

They show us that we’re not alone. That others have walked the same paths. And if – gods forbid – you do find yourself in similar awful situations, the last thing you want is to feel that you’re the only one, that it’s you.

 

Megan Honig (@vonmeggz) is a writer and editor and the former Young Adult Collections Specialist for the New York Public Library. She is the author of Urban Grit: A Guide to Street Lit, published by Libraries Unlimited, as well as the popular 30 Days of Street Lit blog series. In her post “Misrepresentations of Violence in Julie Anne Peters’ Rage: A Love Story,” Megan looks at one of the few YA titles depicting an abusive relationship between two girls–a book that, unfortunately, conceals more than illuminates abusive behaviors.

 

There are a few things Rage does well. One is to illustrate the challenge of being a young lesbian in a town where possible partners seem scarce, a situation that surely has an impact on Johanna’s persistent attitude toward Reeve. Another is to depict a teen character for whom finances are a consistent stressor and concern—another situation that is chronically underrepresented in teen fiction. But overall, Rage fails more than supports its teen audience. Many people enter into their first romantic or sexual relationships in adolescence, and teens—especially LGBTQ teens—need tools to help them navigate these often complicated and emotionally intense waters. Rage does not provide such tools; in fact, it makes some kinds of relationship violence harder to perceive.

 

Nita Tyndall (@NitaTyndall is a tiny Southern queer with a deep love of sweet tea and very strong opinions about the best kind of barbecue (hint: it’s vinegar-based.) She attends college in North Carolina and is pursuing a degree in English. In addition to being a YA writer, she is a moderator for The Gay YA and a social media coordinator for WeNeedDiverseBooks. You can find her on tumblr at nitatyndall where she writes about YA and queer things, or on Twitter at @NitaTyndall. InCoercion and Sexual Violence in LGBTQIA Lit,” Nita focuses on what coercion is and why “positive” or commonplace depictions of it are harmful, particularly in LGBTQ lit, through examining ASK THE PASSENGERS and SHE LOVES YOU, SHE LOVES YOU NOT.

 

Coercion or pressuring someone into coming out, or assuming their sexuality, is a problem that extends beyond YA literature. The narrative of forcing someone out of the closet or insisting they’ll be happier if they are, particularly if the person doing the pressuring is already out, is extremely problematic. Choosing whether or not to come out is a heavy decision, and insisting that you know better than the person who’s coming out, or making them feel like they have no choice but to, is not only incredibly disrespectful but speaks volumes about our treatment of other queer people: That you can only be happy if you’re out, or that staying in the closet is something to be ashamed of. That other people can make that decision for you, or pressure you into making it. Upholding such narratives as okay or romantic, especially to teenagers, is awful.

 

Cheryl Rainfield (@CherylRainfield) is the author of the award-winning SCARS, a novel about a queer teen sexual abuse survivor who uses self-harm to cope; the award-winning HUNTED, a novel about a teen telepath in a world where any paranormal power is illegal; STAINED, about a teen who is abducted and must rescue herself; and PARALLEL VISIONS, about a teen who sees visions and must save a friend. Cheryl is a lesbian feminist and incest and ritual abuse torture survivor. In her article “The Need For Realistic, Compassionate Portrayals of Sexual Violence In LGBTQIA+ (and all YA) Lit ,” she talks about the importance of realistic portrayals of sexual violence and abuse in queer YA lit and how they can help.

 

I felt so alone and in so much pain as a child and teen; I wanted to die most of the time and did actually try a few times to kill myself. I desperately wanted to know that I wasn’t alone, that I wasn’t the only one going through these horrific experiences or the only one was queer, and I tried to find that in books. I found small bits of validation, such as a character who was bullied or survived incest or a lesbian character, but I didn’t find enough—which is part of why I write the books I do. I write the books I needed to read as a teen and couldn’t find. I want others to know they’re not alone.

When we feel alone in traumatic or painful experiences—including abuse and homophobia—it makes the pain so much worse. I think when we see reflections of ourselves and our experiences, it helps lessen our pain, reassure us that we are not alone, help us feel healthier and happier, learn new ways of coping and surviving, and feel that we, too, can survive since characters with similar issues did.

 

Amanda MacGregor (@CiteSomething) is a librarian with a MA degree in children’s literature, a longtime book reviewer for School Library Journal, The Horn Book Guide, and Voice of Youth Advocates, and also a contributor at Teen Librarian Toolbox. In her post, “‘Our Kisses Were Seismic’: Positive Sexual Experiences in LGBTQIA+ YA Books,” she shares some of her favorite positive sex/consent books, scenes, and relationships, as well as those offered up by friends on Twitter.

 

While it’s important to look at and discuss rape, consent, abuse, and violence, it’s equally as important to present plenty of healthy, positive, and enjoyable experiences for teen readers to show them what desire looks like and how it can play out. The field of books about LGBTQIA+ teens is growing in leaps and bounds. We are lucky that we can hand so many books to teenagers where the characters have happy and fulfilling relationships, where things are not all doom and gloom, and where sexual behaviors actually take place on the page, rather than some fade to black scenes. There is power in representation, in being seen, in seeing hope and happiness.

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