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Book Review: Watch Us Rise by Renée Watson and Ellen Hagan

Publisher’s description

watch us riseNewbery Honor and Coretta Scott King Award-winning author Renée Watson teams up with poet Ellen Hagan in this YA feminist anthem about raising your voice.

Jasmine and Chelsea are best friends on a mission–they’re sick of the way women are treated even at their progressive NYC high school, so they decide to start a Women’s Rights Club. They post their work online–poems, essays, videos of Chelsea performing her poetry, and Jasmine’s response to the racial microaggressions she experiences–and soon they go viral. But with such positive support, the club is also targeted by trolls. When things escalate in real life, the principal shuts the club down. Not willing to be silenced, Jasmine and Chelsea will risk everything for their voices–and those of other young women–to be heard.
These two dynamic, creative young women stand up and speak out in a novel that features their compelling art and poetry along with powerful personal journeys that will inspire readers and budding poets, feminists, and activists.

 

 

Amanda’s thoughts

This book is so good. Order it, read it, book talk it, display it, love it.

 

Jasmine, Chelsea, and their friends attend a high school all about social justice and equity (or, allegedly it is). All students are required to be in a social justice club. But, like everywhere, their school is not perfect, with racism, sexism, and more alive and well. Jasmine and Chelsea leave their clubs to form a women’s rights club, focusing their intersectional feminism and activism on and around their lives at school. Together with their best friends Nadine and Isaac, they create art and foster conversations about many important issues. Jasmine, who is black, is a writer and an actress. Isaac, who is Puerto Rican, is a visual artist. Japanese and Lebanese Nadine is a singer and  DJ. And Irish and Italian Chelsea is a talented poet. Together, they inspire each other and help each other learn, grown, discover, and act. This book covers a lot of ground, tackling so many subjects in honest, creative, and effective ways.

 

I’m going to leave this review short and simple, because the real joy will come from reading about these smart, passionate, and motivated young people for yourself. This book is immensely readable—I burned through it in a couple of hours. Great dialogue, great writing, great poetry, great characters, great everything. It’s not often that I find a book wholly satisfying. And, even more rare, this book made me feel nostalgic for my teen years, remembering back to when I was a zine-writing young feminist and Gender and Sexuality Studies student. Empowering and inspiring, this book demands a wide readership. 

 

Review copy courtesy of the publisher

ISBN-13: 9781547600083
Publisher: Bloomsbury USA
Publication date: 02/12/2019

Feminist AF Fashions and the YA Characters That Rock Them

feminist

For a long time, I bought into the lie that a feminist couldn’t be girly or care too much about fashion. I believed that in order to be a feminist, you had to reject all things associated with what it traditionally meant to be female. Pink and tutus, for example, were straight out. By over time, I learned that this belief was not, in fact, feminist. This is one of the reasons why when I was designing the Feminist AF graphic, I purposely choose to use an image of a red sequined background. Young feminist Karen would have rejected anything with glitter or sequins and pearls or whatever as not feminist. Young feminist Karen would have been wrong. I love the image so much that I had a cell phone case made out of it, which is what I now proudly carry. (Ordered via Snapfish)

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The Teen models my TLT Feminist AF phone case

Meanwhile, The Teen found her own way to turn her phone into a Feminist AF fashion statement. Be sure to check out how she organized her apps.

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Today, guest poster Lisa Krok is talking with us about Feminist AF fashion statements and then she shares some books featuring YA characters that rock all kinds of fashion. Because feminist and fashion can go together and we can rock it!


 

While teens don’t have Cinna on hand to style them like the Girl on Fire, many choices are out there to cover feminist fashionistas from head to toe. Starting at the top, teens can keep warm and in vogue with this handmade beanie, found on Etsy. Alternatively, for a golden glam look, try David and Young’s feminist baseball cap, found on Poshmark.

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https://www.etsy.com/listing/504546661/feminist-black-beanie-hat-white-text

https://poshmark.com/listing/Baseball-Feminist-hat-

What better way to accent your feminist cap than with some badass earrings!  Author Hillary Monahan creates fun and funky jewelry choices with feminist options featured in her Etsy shop.

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https://www.etsy.com/shop/HillsPeculiarities

Up next, some trendy t-shirts to flaunt girl power.  Amazon.com hosts a plethora of listings from a variety of sellers.  One of the best ways to promote feminism is of course to support and empower each other, and resist those who do not.   www.amazon.com

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Your feet need some love, too. Try these lively socks that are just a sampling of many choices from Blue Q  https://www.blueq.com/socks/ .

femsocksLast but not least, teens need the most important accessory of all: an awesome book! Feminist AF Fashionistas come in a wide array of forms and these characters (and books) prove it:

A Flair for Glam

Hair, body, face…and the DRESS!

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Tough as Nails

Rock some Timbs like Bri,  shoot purple lightning from your hands, or wear a snake as jewelry.

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Fashion Has No Limitations

All genders, all sizes, all cultures, and all sexual orientations.

femmultiEditor’s Note: You can also teach teens to make their own feminist fashion statements, so look for an upcoming post where I share with you just how you can do this.

Meet Our Guest Poster

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-Lisa Krok is a Feminist AF Ravenclaw, library manager, and 2019 and 2018 Quick Picks for Reluctant Readers committee member. She is counting the days until we have a female POTUS. Lisa can be found being bookish and political on Twitter @readonthebeach.

The 2019 Project: Feminist AF!

Every year since 2014, TLT has picked a project or area of focus to help guide the year. We still post book reviews, program outlines and discussions, we still talk about librarianship and teen issues, but we choose one overarching theme that we really want to deep dive into and discuss. Previous years have included an in depth look at sexual violence, faith and spirituality, mental health and social justice in the life of teens and in YA literature. This year our guiding principle is this: Feminism. In the year 2019, TLT will be Feminist AF.

feminist

At it’s most basic, feminism is defined as: a range of political movements, ideologies, and social movements that share a common goal: to define, establish, and achieve political, economic, personal, and social equality of sexes. This includes seeking to establish educational and professional opportunities for women that are equal to those for men. (Wikipedia, not a great source I know, but it’s the source that most people will start with.

This year we saw a man confirmed to the Supreme Court even though there were allegations that he had sexually assaulted Dr. Christine Blasey Ford. A little less than one week was given to investigating the allegations, which surprised no one that has paid attention to the way victims of sexual violence are treated. At the same time, men convicted of sexual violence against women often get zero to little time and are often put on probation for short periods of time. Even in the midst of the #MeToo movement, men are still being let off with very few repercussions for their acts of violence against women.

With the recent government shut down, Congress has allowed the Violence Against Women Act to expire.

Reproductive rights and women’s full bodily autonomy is under constant attack.

Beto O’Rourke, a man I voted for, is being touted as the next presidential contender for the Democratic party even though women like Stacey Abrams, a black woman and major political contender, are not being equally considered.

Trans women, particularly trans women of color, are still being murdered at alarming rates with very little press recognition or public outcry.

The ways in which we talk about teenage girls and the things that they love.

Toxic masculinity culture and it’s effects on all genders and those that identify as non-gender specific or non-binary.

Affordable childcare. Affordable healthcare. Affordable education. Equal pay. Equal rights. Marriage equality. Equal everything.

This list could, sadly, go on and on.

So in the year 2019, we’re going to be Feminist AF and talk about what it means to be a feminist and what it doesn’t. We’re going to make book lists, we’re going to discuss books, we’re going to talk about programming, and we’re going to dive into the issues. All of them. BUT WE NEED YOUR HELP.

That’s right, this discussion/project involves you. As always, you are invited to come and guest post. So if you would like to write a guest post (or a few, because you’re not limited to just one), please fill out the Google Form to let us know what you want to talk about and when you would like to talk about it. We will try and get back with you in a timely manner. Robin Willis is our primary guest post coordinator but we hope this project will be bigger than what she can handle so it may be Amanda MacGregor, Ally Watkins or myself (Karen Jensen) that gets in touch with you. Please take a moment to review our guest post guidelines here to help you know how you can streamline the actual guest post submittal process (please, please, please include a post title because I stink at picking good post titles). It’s a year-long, ongoing project so there is no deadline. If you find yourself with a brilliant idea for discussion in October, we will still gladly accept your proposal. Librarians, authors (yes, you can use this as an opportunity to promote your book), parents, teens – everyone is invited to participate.

Wishing you a Happy and Feminist AF New Year! We look forward to talking about feminism with you in 2019.

#ReadForChange: Women Conquer and Dragons Slay in Elana K. Arnold’s Damsel

 

ReadForChange copyTeen Librarian Toolbox is excited to be partnering with Marie Marquardt for her #ReadForChange project. Hop on over to this post to learn more about the initiative. Today, she and Elana K. Arnold join us for a conversation about fairy tales, rage, feminism, and Arnold’s 2018 book  Damsel

 

 

I’m always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality, and it’s very shocking to the system.”

– Flannery O’Connor, Mystery and Manners: Occasional Prose

 

Shocking the System with Damsels, Dragons, and Dashing Princes

 

damselThis month’s #ReadForChange is the first fantasy/ fairy tale I’ve chosen to feature. I know some of you readers out there might be wondering: How can the re-cast fairy tale of a fierce dragon, a conquering prince, and a “damsel” (that he, um, rescues?) plunge right into the heart of contemporary issues? If you’re one of those people wondering, then you haven’t yet had the chance to read Elana K. Arnold’s captivating novel, Damsel.

 

In Damsel, Elana returns us to the classic legends, found across many cultural traditions, of dragons in their lairs, protecting their most precious possessions, of privileged men living into their society’s expectations that they become conquerors, and of “damsels” – seemingly defenseless, often distressed, and appearing to be in need of rescue. I won’t ruin your experience of reading the story by sharing Damsel’s astonishing twists and turns. Suffice it to say that Elana works wonders with this classic tale, reshaping it into a powerful feminist narrative perfectly suited to our time.

 

I’ll offer only one example of the story’s contemporary relevance: Shortly after she’s been “rescued” by the dashing price, Ama, the story’s protagonist, takes a wild lynx kitten as a pet. Her prince has murdered the kitten’s mother, ostensibly to (again) rescue Ama. Ama feels both a responsibility for and a strange kinship with the orphaned wild animal. She names the lynx “Sorrow.” Although Sorrow longs to return to the wild, the kitten stays by Ama’s side as Ama moves into the prince’s castle and begins preparations to marry him. (Needless to say, no one has bothered to ask Ama whether she actually wants to marry the prince.) Shortly before the story comes to its shocking close, Ama decides to release Sorrow back into the wild, telling the now-grown cat: “Sorrow is no more your name. Now I call you Fury.”

 

In recent weeks, I’ve seen so many women – women who have, like Ama, felt trapped, confused, and overwhelmed – shift from Sorrow to Fury. Elena Arnold’s legendary tale of a dragon, a damsel, and a dashing prince might be just the story we need for motivation to transform that fury into action.

 

Before we move on: Here’s one action for all of you Readers-For-Change: if you’re over 18, please VOTE on November 6. If you’re under 18, I hope to bump into you out there on the streets, drumming up support for our favorite candidates!

 

“The creative water that filled my well was… rage.”: An Interview with Elana K. Arnold

 

imagesMARIE: There’s no doubt that Damsel is a novel with a powerful feminist message – one well-suited to our time. What made you decide to write such a bold, unflinching story of men abusing their power, and of abused women recovering their own power?

 

ELANA: Damsel, I think, is a natural extension of the work of my previous two novels, What Girls Are Made Of and Infandous, both of which deal with embodied female shame. I found, after working on those two books for close to five years, that the process of writing them was a cathartic means of healing myself from the shame I’d felt all my life—the shame of my body, the ways in which I’d fit myself into a form I felt was expected of me. What was left, when the shame was gone, was this clear, pure rage. That rage is what I drew from when writing Damsel. As a writer, I work with what I have, what I’ve been filled up with, what my personal experiences have been. In the past, the creative water that filled my well was shame, and so that was what I worked from. This time, it was rage—propelled by my own lived experience.

 

MARIE:  I have to admit, the fairy tale trope of the prince “rescuing” the damsel seems an odd place to begin a feminist tale. What compelled you to return to the classic legends of dragons, damsels, and dashing princes?

 

ELANA: Traditionally, fairy tales have been written by men who shaped the stories into commodities that could be sold, products that centered female bodies as consumable objects, morality lessons, and prizes to be won. These are the stories many of us were raised on, so they were some of the material that formed me. Revisiting them and reflecting on how they might be re-formed by centering the effects of making women into prizes rather than leaving the stories when the women are “won” felt like a meaty and interesting challenge.

 

MARIE: How do your concerns about such issues as abuse, toxic masculinity and a culture of conquest shape your actions in the real world? What actions are you taking to create the world you want to live in?

 

ELANA: My concerns about the issues you named shape all my actions. They inform the way I vote, the causes to which I donate time and money, the way I raise my children, how I have committed to speaking up in situations that feel unsafe to myself or others. I hope that my creative work helps give readers language for their lived experiences; by writing an alternate version of the damsel’s journey, maybe my work will light a fire in those who have felt powerless.

 

MARIE: I know that it will! For readers whose fires have been lit, what’s your advice?

 

ELANA: Don’t wait for later. You don’t need to wait for permission to make a change. In many states, you can pre-register to vote up to two years before you’re old enough to cast your first ballot. You can learn more here.

 

Come up with a plan. Many of us, when faced with scary situations, freeze up and do nothing, or “play possum,” just waiting for the bad thing to go away. But if you can decide ahead of time what your script will be in, for example, a situation in which you see someone acting in a racist or sexist manner, then you are more likely to do something.

 

“Wonderful, wise, work:” Elana’s excellent recommendations for learning more.

 

“There is so much wonderful, wise work being done, and there are many amazing resources.” Here are a few books Elana recommends:

 

Can We All Be Feminists? New Writing from Brit Bennett, Nicole Dennis-Benn, and 15 Others on Intersectionality, Identity, and the Way Forward for Feminism, edited by June Eric-Udorie

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Nevertheless, We Persisted: 48 Voices of Defiance, Strength, and Courage (With a forward by Amy Klobuchar)

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Our Stories, Our Voices: 21 YA Authors Get Real About Injustice, Empowerment, and Growing Up Female in America, Edited by Amy Reed

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How I Resist: Activism and Hope for a New Generation, Edited by Maureen Johnson

how i resist

Elana’s also a fan of the work Teen Vogue is doing. Check it out here. 

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And, there’s a wonderful podcast called KidLit Women that she’s actively following.

 Kidkit women

Want to take action? Need to reach out for help? Elana has some suggestions.

 

Elana’s an active donor to Planned Parenthood. You can learn more about their work here.

 

DAMSEL deals with issues of sexual assault, rape culture, and gaslighting. Elana recommends RAINN as a wonderful resource if you need help.

 

Win a copy of Damsel, fiery hot off the presses!

This new release is such a great read, and it will get you fired up to take action! Here’s a link to the giveaway. We’ll be announcing the winner on Twitter @MarieFMarquardt and Instagram marie_marquardt November 1!

 

Meet Marie Marquardt

Women’s March, January 21, 2017

Women’s March, January 21, 2017

Marie Marquardt is the author of three YA novels: The Radius of UsDream Things True, and Flight Season. A Scholar-in-Residence at Emory University’s Candler School of Theology, Marie also has published several articles and co-authored two non-fiction books about Latin American immigration to the U.S. South. She is chair of El Refugio, a non-profit that serves detained immigrants and their families. She lives with her spouse, four kids, a dog and a bearded dragon in the book-lover’s mecca of Decatur, Georgia.

 

 

 

#ReadForChange: Back to School with Brendan Kiely’s TRADITION

ReadForChange copyTeen Librarian Toolbox is excited to be partnering with Marie Marquardt for her #ReadForChange project. Hop on over to this post to learn more about the initiative. Today, she and  Brendan Kiely join us for a conversation about power, feminism, toxic masculinity, taking action, and Brendan’s powerful 2018 book, Tradition. Please see the end of this post to enter to win a signed copy of this book! 

 

 

 

There’s really no such thing as the “voiceless.” There are only the deliberately silenced, or the preferably unheard.

– Arundhati Roy

 

“How Can Men be Better Feminists?”

 

Brendan-Kiely-Book-Tradition

Okay, folks. I’m about to climb up on my soapbox for a little bit, so get ready. (Or ignore this post until you’re prepared for a rant. These are tough times. Please be gentle with yourself!)

 

If you’ve been paying any attention at all to what’s happening in the world around you, then the claim I’m about to make will not come as a surprise. Many of the terrible ills that plague our society — and, here in the United States, also threaten our democracy — can be traced to a certain sort of privileged man. You know the type – they carry their entitlement as if it were somehow built into their DNA. They simply assume themselves to be untouchable – above the norms and laws and ethics that hold our communities together. And, if we’re being really honest, they pretty-much are able to live above or outside of those shared norms. Why? Because they live deep inside institutions that both grant them this power and protect them from losing it. They abuse their power. They abuse people because they perceive those people as objects, and not as their fully-human equals.

 

But then there are the men we may expect to be “the type” until we find out how very, profoundly wrong we are. They may be the jocks, the prep-school kids. They may be the recovering addicts. They may be the men who have made terrible mistakes, but who humbly seek guidance, looking to other people as models for how to live well. These men seek to understand the difference between right and wrong, and then they try to do what’s right. Sure, they mess up sometimes. But they try, and that means something.

 

They share a few things in common: they listen, they embed themselves in communities of trust. And by listening carefully in these communities, they learn – maybe slow and faltering – how to fight alongside their fully-human equals for what is right and good.

 

Brendan Kiely has astonishing talent. He writes stories that reveal to us both of these characters, while also unmasking the institutions that shape their lives (think: churches, police forces, and prep schools). His first novel, The Gospel of Winter is the gut-wrenching story of Aidan, a terribly broken boy, who struggles to decide whether he should reveal the abuse inflicted by his priest. I won’t claim that it’s an easy read (it’s particularly excruciating for Catholics like myself), but it’s powerful and compelling and – in the end – hopeful. In All American Boys (co-authored with Jason Reynolds), he introduces Quinn, who has to re-think everything he thought he knew about right-and-wrong, good-and-bad, when his mentor and big-brother figure, a police officer, assaults a black teenager from his high school.

 

Tradition, Brendan’s most recent novel, unflinchingly reveals life inside of a prep-school infused with toxic masculinity. More importantly, though, the story celebrates those courageous people who dare to make visible the toxic abuse of power, and of people. Tradition is, like most excellent novels, a multilayered story. But it is, at least in part, the story of how a boy named Bax, burdened by the mistakes of his past, learned to trust that he knew right from wrong and then developed the courage to do what was right.

 

“Before I act, I need to listen.”: Real Talk with Brendan Kiely

Brendan-Kiely-AuthorMARIE: Tell us about the moment when you knew that this story had to be written, and that you needed to address these tough themes head-on.  

 

BRENDAN: I’m hesitant to locate a moment, partially because I’m kind of dense and rarely respond to (or recognize when it hits me!) a bolt of inspiration, but also because I’m associative and nonlinear. Parts of my past resonate with parts of my present and when the emotions seem correlative, I know there’s a story in there. Also, as I’m looking around at the world, I formulate questions I want to try to address through fiction.

By way of example, I’ve shared this story before, and I think it does get at the crux of why I wanted to write Tradition.

Shortly before my senior prom, my high school allowed a tuxedo rental company to hang advertisements in the halls of our academic building. In the poster, four guys in tuxedos huddled around one girl in a prom dress, but the girl was tipped headfirst toward the floor, her legs in the air, spread open. In my all-boys’ high school, the poster reinforced the old trope of prom = sex, but it also signaled a deeper, more dangerous message as well: wear our tux and get what you want, because you are entitled to it.

The reality of that second message became clear to me when, a few weeks before going to college, I got a call from a friend, a girl who had been at that same prom. She’d been raped at the beach that summer. She didn’t want to share the details; she just wanted me to know. I listened. I believed her. Because I thought about that poster. I thought about the graffiti in my high school locker room and bathroom stalls. I thought about the way so many guys joked about sex aggressively, competitively. None of it was innocent. All of it reeked of entitlement.

An environment in which the boys think and are told they are entitled to sex, and all the messaging is about sex as a goal, and none of it is about consent and agency and seeing the human being, is an environment that nurtures, that is, rape culture. And a definition of masculinity that emerges from a culture which silences, shames, and gaslights women is dangerous—it harms women and robs men of the potential to be better human beings.

This all came back to me when in 2015 I saw the video of Emma Sulkowitz dragging her mattress across the graduation stage at Columbia University in an act of bravery and tenacity to remind the world she would not be silenced, that the story of her assault would not go unheard. The boarding school culture Jules and Bax grapple with in Tradition mirrors our broader society—all too many institutions are riddled with insidious and deeply entrenched misogyny—and I wanted to write about people who challenge that status quo. I wanted to write about the strength of women who stand up and speak out about misogyny, and also, especially as a man writing this book, I wanted to write a novel that asked: How can men be better feminists? What are men’s roles in this time of necessary cultural reckoning?

 

MARIE: What actions are you taking in this time of cultural reckoning? How are your actions, and the way you choose to act, shaped by your own identity?

 

BRENDAN: I love this question because it asks us writers to address the notion of accountability in our lives. Regardless of our intentions in telling the story, how do we live our lives?

As someone with a vast amount of social power and privilege, I’m white, male, cis-gendered, heterosexual, and not disabled, action is the language I’m accustomed to. That’s part of the privilege—I feel emboldened to act, I feel free to act. So though action is necessary, for those of us with these kinds of privileges, I think we should practice humility first and always. Choose to listen to the people in our lives, choose to listen so that we can better understand, but also so we can strengthen our empathetic hearts, instead of just telling myself, “here’s what I think I can (or should) do.” If I want to help create a more just and equitable world, before I act, I need to listen.

When my grandmother, a Catholic, and the matriarch of my predominantly Catholic family, read my first book, The Gospel of Winter, a novel about a 16-year-old boy struggling to decide whether or not he should tell people he’s been abused by his priest, I was nervous to hear what she thought. But she said, “Brendan, your book reminds me of Solomon asking God for a listening heart.” Her wisdom was profound and shook me to the core. In my life, my writing, my relationships, and all work I ever hope to do, I try to remind myself of her words, and strive to find, nurture, and practice, a “listening heart” before I act.

So rather than list the things I do (most of which are in organizations working toward more racial justice in various institutions), I’d rather emphasize the work I think we all need to do before we act: listening and believing the stories we hear—and for those of us who are men or white like me, particularly listen to and believe the stories of women and people of color, who have all too often been silenced or unheard.

 

MARIE: I love this wisdom! For readers who have been doing the careful work of developing this empathetic and listening heart, and who think they may be prepared for action, what’s your advice?

 

BRENDAN: I think it is important to remember that if we want to challenge established authority and status quo, there are inherent risks. It is dangerous to think we can affect change overnight, and it is dangerous to forget just how much work so many people have done before us in the work we hope to do today. Before joining or starting a movement, I think everyone should look through a few key texts to understanding to work, the cost, and the history. For example, one might check out these three graphic guides: A Brief History of Feminism by Patu, Antje Schrupp, and Sophie Lewis; March Trilogy by John Lewis, Andrew Aydin, and Nate Powell; and Introducing Feminism: A Graphic Guide by Cathia Jenainati and Judy Groves.

 

Brendan's Recommended Books (1)

 

And, after reflecting on the work that people have done before us, if you do choose to act, always act in a group, not alone. The most successful action is collective, not individual. By partnering and growing your numbers in your own organization, you can be a lot more effective in your community.

 

In my perfect world, there’d be a Feminist Club in every high school in America. So, if there isn’t already a Feminist Club at the school, I’d recommend students starting one from which to grow and connect to other organizations. And if there already is a Feminist Club, maybe consider researching the kind of actions other organizations (such as the ones below) have done or are already doing and either mirror those plans or find ways to partner with those organizations in your own school.

 

 

Ready to learn more and “strengthen our empathetic hearts”? Here are Brendan’s recommended reads

 

To get us started, Brendan recommend an excellent list of recent articles that “lay out the realities of sexual harassment and assault and rape culture”:

 

“#MeToo is a wakeup call: We need to talk to youth about sexual health and ethics” (Salon)

 

“The reckoning: Women and power in the workplace”  (New York Times)

 

“Your reckoning. And mine.” (The Cut)

 

“What does a lifetime of leers do to us?” (New York Times)

 

“#MeToo creator answers 10 questions and perfectly explains what the movement is all about” (UpWorthy)

 

“Stop telling us how to confront an epedimic of violence and abuse: Rebecca Solnit on the #MeToo backlash” (LitHub)

 

Brendan also points us all toward a couple of powerful feminist books:

 

Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions by Chimamanda Ngozi Adichi

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We Should All Be Feminists by Chimamanda Ngozi Adichie

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Men Explain Things to Me by Rebecca Solnit

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And, when you’re ready to take a break from the books, he’s got several fabulous suggestions for documentaries and videos:

 

The Mask You Live Ina Representation Project documentary about the construction of masculinity

 

Nanette – a stand-up comedy act by Hannah Gadsby

 

Why I’m done trying to be “man enough” – a TED talk by Justin Badoni

 

 “Regardless of our intention in telling the story, how do we live our lives?” Ready to take action?  Here are a few organizations doing great work:

 

Creating Consent Culture – An international movement that educates and enlightens the masses on sexual assault and holistic healing to end sexual violence once and for all.

 

Ultraviolet – A community of people mobilized to fight sexism and create a more inclusive world.

 

NOW Campus Action Network – Young feminists bringing activism to their schools and colleges.

 

TRADITION #RFCHead Back to School with #ReadForChange

If you’re hoping to head back to school with a free signed copy of Tradition, here’s a link to the giveaway. We’ll be announcing the winner on Twitter @MarieFMarquardt and Instagram marie_marquardt September 1!

 

 

 

 

 

Meet Marie Marquardt

Women’s March, January 21, 2017

Women’s March, January 21, 2017

Marie Marquardt is the author of three YA novels: The Radius of UsDream Things True, and Flight Season. A Scholar-in-Residence at Emory University’s Candler School of Theology, Marie also has published several articles and co-authored two non-fiction books about Latin American immigration to the U.S. South. She is chair of El Refugio, a non-profit that serves detained immigrants and their families. She lives with her spouse, four kids, a dog and a bearded dragon in the book-lover’s mecca of Decatur, Georgia.

 

What a strange time to be a woman, a guest post by Bree Barton

tltheader

Author Bree Barton, whose book, HEART OF THORNS, is out today, joins us to talk about freedoms, feminism, power, and stories. Hop on over to this link to see Amanda’s review of Bree’s new book. 

 

 

In some ways, we have never enjoyed more freedom. As I write this post, I am sitting in a café drinking crimsonberry tea and wearing short shorts—an outfit that would have seen my grandmother shunned by “polite society.” I went to a good school and got a good job. At thirty-three, I don’t have kids, and no one is pressuring me to. Last year I saved up money and took myself to Iceland for ten days on a book research trip. I never once felt unsafe.

 

In other ways, we are stripped of our freedoms every day.

 

I’ve always been interested in what it means to have a body, especially as a woman. What brings us pleasure? What brings us pain? Who has control over our bodies? I wish the answer to the last question were unequivocally “ourselves,” but we know that isn’t true. Controlling someone else’s body is about power, and historically, that power has belonged to men. The church. The government. Husbands. Doctors. And, most recently: the Supreme Court.

 

But to be perfectly honest, those questions were not at the forefront of my mind three years ago, when I started writing my debut fantasy novel.

 

We’d had a good few years. I canvassed for Obama in 2008, riding the wave of optimism undulating across the country. Sure, the years under the Obama administration weren’t as rosy as they’d appeared on those “YES WE CAN” posters. But they weren’t that bad. Right?

 

Besides, we had Hillary. I watched Hillary Clinton decimate Donald Trump in the debates with tears in my eyes and pride in my heart. We were going to have our first female president. If I did decide to have children someday, they would grow up never questioning that a woman could be in charge.

 

As a cis white woman, I thought about power in an abstract sense, the way a palm tree imagines a blizzard. That’s the thing about privilege: it’s so inherent for those of us who benefit from it, most of the time we don’t even know it’s there. I knew my book would have magic—it was, after all, a fantasy—and magic typically involves an exploration of power. But that was just fiction. It wasn’t real.

 

Then November 2016 happened.

 

Suddenly, I caught a glimpse of what people of color, my LGBTQIA+ friends, and anyone from a marginalized community had known all along: the world was not an equal playing field. The game was rigged. I only got a taste of the reality they faced on a daily basis, but that taste was staggeringly bitter.

 

Though I will never understand their centuries of pain, I began to see the ripple effect of our new president’s policies. I could no longer afford my health insurance. On my last covered trip to the gynecologist, she urged me to consider an IUD. “Just to be safe,” she said. “Since we don’t know what’s going to happen.”

 

Meanwhile, one of my favorite nonprofits closed its doors after 20+ years. My local library had to abbreviate their hours, thanks to budget cuts. Nightmare stories began to pile in—hate crimes, casual racism, threats to deport kids from LA Unified. I did what everyone did: Unfriended bigoted relatives on Facebook. Read all the memes. Cried over the thought pieces. Called my representatives.

 

heart of thornsAnd then I took the draft of my debut novel—and I burned it to the ground.

 

Heart of Thorns didn’t start out as an expressly feminist fantasy. I hope everything I ever write is feminist, but not until the presidential election did the story truly snap into focus.

 

In the first two drafts of HoT, I had a fuzzy concept of an “evil king.” After Trump seized the throne, let’s just say that character emerged in high definition. For the first time I saw King Ronan of Clan Killian for what he was: a hateful tyrant who seals the borders, persecutes people of color, and abuses his bisexual son. A man who not only condones assaulting women, but makes it actual policy.

 

I wrote about the unmitigated reality of the United States: racism, misogyny, xenophobia, hate. Sci-fi and fantasy authors talk a lot about wordbuilding, but for me worldbuilding was a three-prong process: read the news, shudder in horror, then write it into fantasy.

 

As I shredded my draft to ribbons, a new question knit itself together in my brain. What if our bodies evolved to shift the power imbalance? What if the “tables turned” and magic focalized in a woman’s body gave her power over men? How would she use that power? For good, or for evil?

 

I knew in my bones I wanted to create a magical system in which the female body had evolved to right the imbalance of power. In the world of Heart of Thorns, this power is why women are feared and hated…but the more they are feared and hated, the more powerful they become.

 

This is a strange time to be alive. But if there is one thing I’ve learned from the heartbreaking events of the last two years, it’s that we have never needed stories more. Stories allow us to write about the horrors of the present—and they also empower us to write the future we desire.

 

In 2017, I launched Rock ‘n’ Write, a nonprofit dance and writing class for preteen and teen girls. Every week we come together to dance, write, and connect; to move our bodies and open our minds. What I tell my girls is, stories have power. Anyone who tells a story—or crawls inside the ones they read—does possess magic.

 

Today’s culture tries to alienate us, to remind us of the ways we are different. Books remind us of the ways we are the same. We need libraries now more than ever. We need librarians to lead kids to books. We need stories to shine light on every corner of humanity—the bad, the good, the resplendent. This is why we read. Always and forever, we yearn to be drawn into the light.

 

 

Meet Bree Barton

Bree BartonBree Barton is a writer in Los Angeles. When she’s not lost in whimsy, she works as a ghostwriter and dance teacher to teen girls. She is on Instagram and YouTube as Speak Breely, where she posts funny videos of her melancholy dog. Bree is not a fan of corsets.

Book Review: Heart of Thorns by Bree Barton

Publisher’s description

heart of thornsInventive and heart-racing, this fierce feminist teen fantasy from debut author Bree Barton explores a dark kingdom in which only women can possess magic—and every woman is suspected of having it.

Fans of Leigh Bardugo and Laini Taylor won’t want to miss this gorgeously written, bold novel, the first in the Heart of Thorns trilogy.

In the ancient river kingdom, where touch is a battlefield and bodies the instruments of war, Mia Rose has pledged her life to hunting Gwyrach: women who can manipulate flesh, bones, breath, and blood. The same women who killed her mother without a single scratch.

But when Mia’s father announces an alliance with the royal family, she is forced to trade in her knives and trousers for a sumptuous silk gown. Determined to forge her own path forward, Mia plots a daring escape, but could never predict the greatest betrayal of all: her own body. Mia possesses the very magic she has sworn to destroy.

Now, as she untangles the secrets of her past, Mia must learn to trust her heart…even if it kills her.

 

Amanda’s thoughts

The prologue to this ARC says, “Once upon a time, in a castle carved of stone, a girl plotted murder.” Talk about immediately roping you in!

 

On the eve of her marriage to Prince Quin, Mia Rose is planning to stage her murder and run away. At 17, Mia has been trained as a huntress, and wants nothing more than to track down the demonic Gwyrach that killed her mother. Mia and her sister Angie, 15, are the daughters of an assassin, the leader of the Gwyrach hunters. The Gwyrach are half god, half human, and literally any girl or woman could be one. They transmit their magic via touch, so all girls are made to wear gloves to protect everyone from potential magic. All girls and women are under suspicion of being a Gwyrach and, as such, have their lives restricted. Mia has spent the past three years studying anatomy, hoping to learn how to protect against the Gwyrach power. She wonders what would happen if one could harness their power for good (instead of using it to enthrall and to wound, as they do now). If the hunters could eliminate magic, then no one could control another person’s body, thus girls would be free and could live full lives of their own choosing. These are all the thoughts Mia is having when she thinks about running away. Things grow even more complicated when she overhears a conversation between Quin and his parents in which they say Mia is dangerous and they speak of allegiances, leverage, and blackmail. All set to flee from her wedding, she is surprised when Quin is shot by an arrow and chaos breaks out at their ceremony. But that surprise is nothing compared to a revelation: while dragging Quin to safety, she somehow manages to heal him completely; Mia is a Gwyrach. Together, Quin and Mia flee the castle, uncertain where they will go, but desperately trying to get away from whoever wants them dead.

 

For me, the story really became good when they find themselves in a land where Mia begins to learn more about the Gwyrach and about her mother (and about herself and about Quin, for that matter). Here, the Gwyrach are acknowledged as creatures of the divine, a sisterhood, as angels and descendants of goddesses. She learns a lot about magic, including why the women are magic and why men are threatened by their power. The story looks at secrets, trust, lies, treachery, safety, traps, feminism, patriarchy, rape, love, hate, anger, dark magic, and betrayal. SO MUCH BETRAYAL. This is the first book in a series and I suspect readers will be anxious to see what happens to Mia and Quin, especially as we end on such a cliffhanger. Mia, who now knows she is a Gwyrach, as was her mother, and has been deeply shocked by a betrayal she couldn’t have seen coming, has many new understandings about her world. It will be interesting to see where her story goes. Full of action and intrigue, this will have wide appeal for fantasy fans. 

 

Review copy courtesy of the publisher

ISBN-13: 9780062447685
Publisher: HarperCollins Publishers
Publication date: 07/31/2018

Book Review: Girl Made of Stars by Ashley Herring Blake

Publisher’s description

girl made ofFor readers of Girl in Pieces and The Way I Used to Be comes an emotionally gripping story about facing hard truths in the aftermath of sexual assault.

Mara and Owen are as close as twins can get, so when Mara’s friend Hannah accuses Owen of rape, Mara doesn’t know what to think. Can her brother really be guilty of such a violent act? Torn between her family and her sense of right and wrong, Mara feels lost, and it doesn’t help that things are strained with her ex-girlfriend, Charlie. As Mara, Hannah, and Charlie come together in the aftermath of this terrible crime, Mara must face a trauma from her own past and decide where Charlie fits into her future. With sensitivity and openness, this timely novel confronts the difficult questions surrounding consent, victim blaming, and sexual assault.

 

Amanda’s thoughts

BILLY STARS

There’s what I tweeted after I finished this book. What a powerful and memorable read. I read a LOT of books. Often, as the weeks and months pass, the details get lost to me. I’ll remember I liked something, but not necessarily all of the reasons why. Or I’ll forget characters’ names or how the book made me feel. But this book? This book will stay with me. All of it.

 

Relationships in twins Mara and Owen’s world are closely-knit. They attend an arts magnet program with all the most important people in their lives. Hannah, Owen’s girlfriend, is one of Mara’s best friends. Charlie, Mara’s very best friend, is also her ex-girlfriend (Mara is bisexual; Charlie is nonbinary). And Owen’s best friend, Alex, has always been there, but Mara finds herself turning to him more and in new, unexpected ways. When Hannah says that Owen raped her at a party they all were at, Mara is devastated. She knows her brother would never do that. But she also knows Hannah would never lie about that. She turns to their small group of friends, including both Hannah and Owen, as she tries to process what happened. Mara has her own reasons for fiercely thinking that “believe girls and women” is a good policy (beyond it just being a good policy). She’s held on to a secret for years, a secret that ruined her relationship with Charlie. Mara and Owen’s parents believe Owen when he says he didn’t rape Hannah. They urge Mara to understand the need to be united on this, to not talk to anyone about it, to make sure they all have the story straight. But Mara is sick of not talking about things. She stands by Hannah, especially when Hannah comes back to school and is repeatedly greeted with, “Hey, slut, welcome back.” Mara, Charlie, and Hannah all have truths to tell. They rely on each other, and the support of girls (particularly in their feminist group at school, Empower) to find the strength to not be silenced. 

 

This masterpiece is gutting. It’s not just the characters, the dialogue, and the writing are all wonderful—they are—but that the story is so real. So true. So common. Maybe not the specifics, but the general story. This is in incredibly important read about the aftermath of a sexual assault, about consent, rape culture, family, friendship, and feminism. A powerful, heartbreaking, but ultimately uplifting read. 

 

 

Review copy courtesy of the publisher

ISBN-13: 9781328778239
Publisher: Houghton Mifflin Harcourt
Publication date: 05/15/2018

 

 

Book Review: Blood Water Paint by Joy McCullough

Publisher’s description

blood water paintHer mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father’s paint.

She chose paint.

By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome’s most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost.

He will not consume
my every thought.
I am a painter.
I will paint.

Joy McCullough’s bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia’s heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia’s most famous paintings but sources of strength as she battles to paint a woman’s timeless truth in the face of unspeakable and all-too-familiar violence.

I will show you
what a woman can do.

 

Amanda’s thoughts

17-year-old Artemisia understands the way the world works: women are a beauty for consumption by men. There are many expectations for women and few freedoms. She understands that girls are prey, that they are seen as things and possessions. Artemisia, ostensibly an apprentice to her painter father, though clearly far more skilled than he, begins to paint biblical women she knows intimately from her mother’s stories, knowing a man could never capture the truth of the story the way a woman could. Her mother’s stories made clear the heavy burden of the inescapable male gaze, but they also made clear Artemisia’s (and all women’s) right to be outraged, to act, to push back, to speak up. These woman from her mother’s stories, Judith and Susanna, come to be her strength and solace when Artemisia is raped by Agostina Tassi, her painting tutor. Artemisia tells her father of the rape and they take Tino to trial. But, of course, it is not Tino on trial, but Artemisia’s virtue. 

Both the stories from Artemisia’s mother and Artemisia’s own story ask the readers to bear witness, to see the truth, to hear the voices, to understand the strength in the stories. The stories are the weapons, the armor, the refuge, and the map. This intensely passionate and powerful exploration of women’s lives, stories, truths, and power is a masterpiece. 

 

Review copy courtesy of the publisher

ISBN-13: 9780735232112
Publisher: Penguin Young Readers Group
Publication date: 03/06/2018

#ReadForChange: Girls Fight Back in Jennifer Mathieu’s Moxie, a guest post by Marie Marquardt

ReadForChange copyTeen Librarian Toolbox is excited to be partnering with Marie Marquardt for her #ReadForChange project. Hop on over to this post to learn more about the initiative. Today, she and Jennifer Mathieu join us for a conversation about feminism, taking action, and Mathieu’s powerful novel, Moxie

 

We teach girls to shrink themselves, to make themselves smaller. We say to girls, you can have ambition, but not too much. You should aim to be successful, but not too successful. … We raise girls to see each other as competitors, not for jobs or accomplishments, which I think can be a good thing, but for the attention of men. We teach girls that they cannot be sexual beings in the way that boys are.

Chimamanda Ngozi Adichie—We Should all be Feminists

 

“For All the Teenage Women Fighting the Good Fight”

moxieIt’s wonderfully fitting that Jennifer Mathieu dedicates her fourth YA novel, Moxie: “For all the teenage women fighting the good fight.” Why? because this book reads as a (punk rock) love song to the brave teenage women who walk with dignity through the halls of high schools everywhere, refusing to be defeated by casual misogyny, and fighting back in their own creative, unorthodox, and sometimes super-fun ways.

 

In Moxie, we follow Vivi Carter – a “good” girl who avoids attention – through a feminist awakening.  When the story starts, Vivi is simply trying to make it through the school year in a Texas football town, where boys (especially those who happen to know how to throw, catch, and block pigskin balls) get away with all manner of inexcusable behavior, from wearing offensive t-shirts to hallway “bump-n-grabs”, while girls endure subtle shaming through gender-biased dress-code enforcement, as well as direct sexual harassment and (in one instance toward the end of the novel) assault.

 

When the story starts, Vivi and her friends are surviving as so many girls do — by shrinking themselves, making themselves smaller, putting their heads down and getting by. Fortunately for Vivi, and for all the readers of this story, she happens to have a mom who went through a gloriously rebellious stage, which Vivi’s mom refers to as her “misspent youth”. Though it’s hard for Vivi to imagine her hard-working single mom ever having been a punk-rock feminist, a bit of rummaging through her mom’s old things allows Vivi to uncover the Riot Grrrls and their fierce zines. Inspired by their music and their protest, Vivi begins a quiet, anonymous campaign inside her own school. Her brave actions slowly spark a full-on social movement, bringing girls into solidarity across differences of class and ethnicity, and creating lasting change in the school.

 

And: Seth! He’s a newcomer to the school who wants, from the very beginning, to act in solidarity with the girls and to support their movement, but who bumbles a bit along the way. The love story that develops between Seth and Vivi is so lovely and his character is a beautiful (and important) model for how to become a feminist man. Step one: believe women when they tell you they’ve been harmed. Step two: listen and learn. Step three: follow them when they walk out and then link arms with them in protest.

 

“Calling Themselves Feminists for the First Time”: A Conversation with Jennifer Mathieu

_PDG6191MARIE: Tell us about the moment when you knew that this story had to be written, and that you needed to be the one to write it.

 

JENNIFER: I knew this story had to be written the minute the idea popped into my head! I wanted to write a book about Riot Grrrl – the feminist movement that made such an impact on my life.  But I wanted to find a way to make it contemporary and meaningful for young readers.  I also wanted to find a way to address the importance of intersectionality.  I started texting with my friend Kate and ran some ideas back and forth with her, and suddenly, I couldn’t stop planning, outlining, and writing Moxie. Honestly, this book was so much fun to write – probably the most fun I’ve ever had writing a novel – and hearing from young readers who have told me they are calling themselves feminists for the first time just because they read this book really makes me so happy.  The experience of writing Moxie was so special, and if it has helped make positive change in the world, then I am so humbled by that.

 

MARIE: What are some of the things you’re doing to create the world that you want your kids and students to live in?

 

JENNIFER: Personally, I have become very engaged in the campaigns of some local progressive candidates.  I became a voter deputy registrar in my county so I can register people to vote, including students at the high school where I teach!  And speaking of my high school, I sponsor the Feminist Club which is very important to me.  I also teach Sunday School at my church where I teach little ones about how God’s love is for everyone no matter their color, ethnicity, abilities, gender identity, or sexual orientation.

 

MARIE: What’s your message for readers who want to take action, themselves?

 

JENNIFER: My advice to readers who want to take action is to focus on one or two issues that really matter to them and do what you can in those areas.  It can be very overwhelming to try and “do it all” and I’ve been guilty of this myself.  After the 2016 election I was trying to go to so many meetups and doing so much, I got pretty stressed.  I decided that I was going to direct my focus on helping elect candidates I care about, and that’s what I’ve been doing.  For someone else it might mean getting super involved in raising awareness for climate change or feeding the hungry or clinic defense.  They just need to figure out where their hearts are and go for it!  I would also say staying informed by consuming reputable news and trying to limit consumption of click bait on the Internet is important, too.

 

Let’s Get Reading! “Focus on one or two issues that really matter … and do what you can.”

#RFC Moxie INSTA & FBOkay, Moxie girls (and those who love us!).  Time to follow Jennifer’s advice: Here’s a short list of non-fiction books that would be great companions to Moxie – they can help us get informed and stay informed, while also avoiding that click bait.

 

Full Frontal Feminism: A Young Woman’s Guide to Why Feminism Matters by Jessica Valenti – The first chapter of this book is: “You’re a hardcore feminist. I swear.” The rest of the book will show you why that’s something to celebrate. And, as an added bonus, you’ll learn a bunch of new stuff along the way about pop culture, health, reproductive rights, violence, education, relationships, and more.

 

We Should all Be Feminists by Chimamanda Ngozi Adichie –  *Okay, hopping up on my soapbox here.* We should all read Chimamanda Ngozi Adichie. She is an eloquent and unapologetic feminist who speaks and writes with incredible clarity about how and why gender matters.

 

Girl Up by Laura Bates – The tagline for this one is “kick ass, claim your woman card, and crush everyday sexism”. Need I say  more?

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Looking for some Moxie anthems? Here’s Jennifer’s very own super rad Riot Grrrl playlist!

“Rebel Girl” by Bikini Kill

“Freewheel” by Team Dresch

“Dream Number Nine” by Big Joanie

“Stuck Here Again” by L7

“Mujer Moderna” by Fea

“Gimme Brains” by Bratmobile

“Oh Bondage Up Yours” by X-RaySpex

 

And, a documentary, for when you’re taking a break from that stack of fabulous books:

She’s Beautiful When She’s Angry

 

Let’s Get Loud! “Figure out where your hearts are and go for it!”

Ready to take action?  Here are a few recommendations straight from Jennifer Mathieu – “resources that support an intersectional feminist viewpoint and welcome all ladies, including girls of color, girls with disabilities, queer girls, and transgender girls.”

 

feministing.com – an online community run by and for young feminists. Offers “sharp uncompromising analysis” with the goal of inspiring people to make real-world feminist change.

 

therepresentationproject.org – Inspiring individuals and communities to create a world free from gender stereotypes and social injustices

 

moxiegirlsfightback.com – Jennifer Mathieu’s own tumbler with so much good stuff, including a step-by-step guide to starting a Feminist Club at your own school.

 

 

(Let’s Pause for Gratitude) “If It Has Helped Make Positive Change in the World…”

Oh, Jennifer! It SO has. This book could not have come into our lives at a better time.  As women step forward and speak out, and as good men stand in support of them, we all are so grateful to have Vivi, Seth, Lucy, Kiera and all those Moxie girls & allies to show us how empowering it is to join this fight!

 

Let us go forth, walk out, fight back, and #ReadForChange!

And if you’re hoping to go forth and read a free signed copy of Moxie AND some moxie swag, here’s a link to the giveaway. US only! We’ll be announcing the winner on Twitter @MarieFMarquardt and Instagram marie_marquardt March 1!

 

Meet Marie Marquardt

Women’s March, January 21, 2017

Women’s March, January 21, 2017

Marie Marquardt is the author of three YA novels: The Radius of UsDream Things True, and Flight Season (available 2/20/18). A Scholar-in-Residence at Emory University’s Candler School of Theology, Marie also has published several articles and co-authored two non-fiction books about Latin American immigration to the U.S. South. She is chair of El Refugio, a non-profit that serves detained immigrants and their families. She lives with her spouse, four kids, a dog and a bearded dragon in the book-lover’s mecca of Decatur, Georgia.