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Book Review: I Killed Zoe Spanos by Kit Frick

Publisher’s description

For fans of Sadie and Serial, this gripping thriller follows two teens whose lives become inextricably linked when one confesses to murder and the other becomes determined to uncover the real truth no matter the cost.

What happened to Zoe won’t stay buried…

When Anna Cicconi arrives to the small Hamptons village of Herron Mills for a summer nanny gig, she has high hopes for a fresh start. What she finds instead is a community on edge after the disappearance of Zoe Spanos, a local girl who has been missing since New Year’s Eve. Anna bears an eerie resemblance to Zoe, and her mere presence in town stirs up still-raw feelings about the unsolved case. As Anna delves deeper into the mystery, stepping further and further into Zoe’s life, she becomes increasingly convinced that she and Zoe are connected—and that she knows what happened to her.

Two months later, Zoe’s body is found in a nearby lake, and Anna is charged with manslaughter. But Anna’s confession is riddled with holes, and Martina Green, teen host of the Missing Zoe podcast, isn’t satisfied. Did Anna really kill Zoe? And if not, can Martina’s podcast uncover the truth?

Inspired by Daphne du Maurier’s Rebecca, Kit Frick weaves a thrilling story of psychological suspense that twists and turns until the final page.

Amanda’s thoughts

I’m a very impatient person, so it’s no surprise I’m an impatient reader. I sometimes have a hard time with mysteries or thrillers where we’re reading to find out who did something. I know the whole entire point of the book is to keep us guessing, but I have to fight the urge to be like “JUST TELL US!” and skip ahead to the end. My point is that, for me, I’m probably not going to stick with it or not skim to get to the end faster if it’s not a completely compelling and unpredictable story. That said, I read every word of this book, didn’t skip to the end, and didn’t know who actually did what until it was revealed.

If you’re a fan of unreliable narrators—or of unreliable characters, period—you will enjoy this book. We toggle back in forth in time to the summer Anna spends as a nanny and to a later point, after she has confessed to killing Zoe Spanos. Except, did she? She has trouble remembering details. Some things feel like a dream. Is she just being led by what police are saying happened? We see her spend an entire summer forgetting things, talking about blacking out, feeling an eerie sense of memories that she can’t possibly have. Or can she? Everything that seems true or false is up for debate. So many of her sentences are punctuated with “I guess,” or “maybe,” or “I don’t remember.” With her history of ditching school, drinking to the point of blacking out, being brought home by cops, and stealing her moms medicine, maybe she did kill Zoe and just can’t remember. Or maybe that’s what someone wants her to think.

Interspersed with Anna’s story are transcripts from a podcast by a local teen who is trying to figure out just what happened to Zoe. Other secondary characters provide bits and pieces of their relationships with Zoe and it seems like many other people could be suspects. When an autopsy report throws Anna’s story into question, she finally begins to question if she actually did kill Zoe, but it’s hard to piece together the truth when your own brain is being so foggy and unreliable.

Full of lies, manipulation, half-truths, secrets, twists, and SO MUCH tension, this mystery will easily rope in readers as we, along with all of the characters, try to figure out just who killed Zoe Spanos.

Review copy (ARC) courtesy of the publisher

ISBN-13: 9781534449701
Publisher: Margaret K. McElderry Books
Publication date: 06/30/2020
Age Range: 14 – 18 Years

Book Review: Feral Youth edited by Shaun David Hutchinson

Publisher’s description

ra6Ten teens are left alone in the wilderness during a three-day survival test in this multi-authored novel edited by award-winning author Shaun David Hutchinson.

At Zeppelin Bend, an outdoor-education program designed to teach troubled youth the value of hard work, cooperation, and compassion, ten teens are left alone in the wild. The teens are a diverse group who come all walks of life, and were all sent to Zeppelin Bend as a last chance to get them to turn their lives around. They’ve just spent nearly two weeks hiking, working, learning to survive in the wilderness, and now their instructors have dropped them off eighteen miles from camp with no food, no water, and only their packs, and they’ll have to struggle to overcome their vast differences if they hope to survive.

Inspired by The Canterbury Tales, the characters in Feral Youth, each complex and damaged in their own ways, are enticed to tell a story (or two) with the promise of a cash prize. The stories range from noir-inspired revenge tales to mythological stories of fierce heroines and angry gods. And while few of the stories are claimed to be based in truth, they ultimately reveal more about the teller than the truth ever could.

 

Amanda’s thoughts

feralFirst things first: the stories in this book are written by Shaun David Hutchinson, Suzanne Young, Marieke Nijkamp, Robin Talley, Stephanie Kuehn, E. C. Myers, Tim Floreen, Alaya Dawn Johnson, Justina Ireland, Brandy Colbert.

 

Great lineup, right?

 

Zeppelin Bend camp, in Wyoming, is the last chance these characters have to turn their lives around. They’re all there for the trouble they landed themselves in. But as they each reveal their story (or parts of their stories, or dance around their stories), readers come to understand that the characters are (of course) more than just their alleged crimes and that they made the choices they did for very complicated reasons. The stories cover a lot of ground: arson, rape, bullying, revenge, theft, drugs, dress codes, runaways, fairy tales, mythology, other worlds, paranormal activity, ghosts, horror, and more. Some of the stories come in bits and pieces. It’s hard to tell what’s the whole story, if the narrators can be trusted, and who might by lying. But the one thing all these stories do is show the characters to be multifaceted people. At one point, Lucinda notes, “Our parents see us as these problems to solve, delinquents to deal with. But we’re more than that.” But, as another character points out, none of that really matters is if all people can see is what they’ve done. And, is what they’ve done really who they are? Does it define them, shape them, change them? And, even if they’re together at camp, and now together for three days as they wander the woods and share their stories, do they still really know each other? Or can you never really know someone? If nothing else, telling their stories gives them some sense of controlling the narrative about them, of being seen and heard, if only for a little bit by a few people.

 

I really enjoy this multi-author format (like Hutchinson did with VIOLENT ENDS, too). It’s such a smart way to tell a story with a wide cast of characters, one that really benefits from the variety of voices, writing styles, and diversity of identities that the authors bring. This is an easy recommendation, especially for reluctant readers, who may be drawn to the attention-grabbing format and that fast narrative pace. A great choice, too, for those who enjoy unreliable narrators. 

 

Review copy courtesy of the publisher and Edelweiss

ISBN-13: 9781481491112

Publisher: Simon Pulse

Publication date: 09/05/2017