Teen Librarian Toolbox
Inside Teen Librarian Toolbox

Book Review: Beast in the Mirror by Laura Bradley Rede

In Beast in the Mirror, a novella by Laura Bradley Rede, the story of Beauty and the Beast is reimagined with an interesting twist—Beast is a girl.


17-year-old Bella, a model, is just out of rehab for anorexia. She flies to Ireland to meet up with her cousin James, a photographer. Bella explains that she’s always felt close to James, not just because he got her into modeling, but because out of all the members of their large family, she and James are the only queer ones. Their photo shoot takes place on the grounds of the crumbling and creepy Blackston estate, a place her cab driver tells her is full of dark magic. While there, Bella and James discover a lavish flower garden and climb the wall to take some pictures in it. The Beast appears and initially tries to capture James, but Bella offers to trade places with him. Bella describes the Beast: “Its face is like a lion, with a lion’s mane, but two huge ram’s horns curl from its head. Its back is hunched like a buffalo’s, but it walks on two feet—hooves, really. Mismatched hooves, one like a Clydsedale and one like a goat.”


Once inside the estate, Bella realizes the interior of the house doesn’t match the outside—it’s gorgeous. She’s tossed into a small, dank room, where she overhears a woman chiding the Beast to remember that Bella is a guest, not a prisoner. She also overhears this woman telling Beast that Bella will need to eat to keep her strength up for what is to come.


Once out of her dungeon-like room, Bella is set up in a lavish bedroom of her own. In the dining room, she learns she only has to think about a food and it will appear in front of her. For someone with the issues Bella has with food, this is frightening. She learns more about the house and about Beast as they grow closer. Despite their appearances, the two have a lot in common and can understand each other in unique ways. At one point Bella says, “I’m not under a curse or anything,” and Beast says, “Aren’t you?” Bella is surprised to find being at Beast’s house is kind of like a strange rehab—one where there are no mirrors and essentially no one else to see her or judge her.


When Bella learns more about how the Beast’s curse works and the terms in which it will be lifted (Beast is free to leave the house when a man give’s her true love’s first kiss), she’s intrigued. The Beast makes it clear that she doesn’t want a kiss or anything else from any man. Bella comes up with a plan—a very surprising and complicated/risky plan—that will break the curse, but is it something she can pull off? Is it even something she should attempt?


The parallels between Beast and Bella being trapped in their bodies in different ways, and their issues with how they perceive themselves and are viewed by others, are interesting. They are both complicated characters—stubborn, determined, sometimes foolish, and brave. Bella thinks about her anorexia, her body, and her recovery a lot. We see in great detail how she felt about her thin body, the issues she still has. She never minces words, so we get a very visceral and at times disturbing look at her thoughts. The twist at the end (Bella’s plan) completely threw me for a loop. The themes of transformation and insides/outsides and identities are taken to the extreme in the final pages. I think there’s a lot of fodder for discussion from this brief novella. What does having a female Beast do to the story? Can we forget Bella is still a captive as time goes on (and what does it mean if we do?)? Are they as similar as it might seem? What do we think of Bella’s risky and surprising plan? Does it change how we view her? Do we like or agree with her choice? I love Rede’s vivid writing and the details she infuses this world with. Readers looking for a unique Beauty and the Beast tale with a lot to think about won’t be disappointed. 

Laura Bradley Rede’s novella is available as an ebook from Amazon, B&N, and Smashwords. For an excerpt of the story, see our cover reveal post from earlier this year. 


Interested in more thoughts on the Beauty and the Beast story? Check out these previous posts on TLT: 

The Beauty and the Beast Effect in YA Literature by Karen Jensen

 The Beauty and the Beast Effect in YA Literature part II: A Discussion on Rape/Abduction Fantasies by author Christa Desir




The Beauty and the Beast Effect in YA Literature

Like a lot of book lovers, Beauty and the Beast was my favorite Disney movie. It seemed like such a no-brainer. Here was a girl who loved books and read-she even sang about it! Then later, she discovers a glorious library that we could all covet. With no hesitation I would tell you that Belle is my favorite Disney princess!

But my thoughts on this all changed one long family car trip from Texas to Ohio. Armed to the teeth with media to keep my kids, then 10 and 4, placated, I downloaded Beauty and the Beast onto our iPad for their backseat viewing. But something interesting happened on that trip as I listened – really listened – to the dialogue and didn’t have the pretty pictures to distract me. Oh my gosh, I thought! He has kidnapped her to try and force her to fall in love with him. Technically, he kidnapped her father then traded his imprisonment for hers. And we, the audience, are supposed to think that this is a good idea. It’s okay because underneath it all he is really a nice prince who has learned a valuable lesson about being kind and unselfish. Belle’s love, you see, changes him. We’re supposed to swoon and ignore the fact that she was not there because she wanted to be, she was there because he was holding her prisoner.

Later that night, when my kids had gone to sleep, I deleted the movie off of my iPad. I later had a conversation with my then pre-teen daughter. Whatever happens in life, I told her, know that you should never fall in love with a man who is willing to hold you hostage; that is abusive; that is domestic violence. Also know that if a man is not a good guy when you meet him, your love is probably not going to change him into a good guy.

Then in these past few months I read not one, not two, not three but four books in which the main female character in a YA novel fell in love (or will maybe fall in love) with a guy who kidnaps her in some form or another. If you follow me on Twitter (@tlt16) you know that I went on lots of mini-rants about this phenomenon.

The truth is, I liked most of the books. One of them I liked so much I asked The Mr. to read it. You can like problematic things, but I was immensely torn on these titles because of The Beauty and the Beast Effect.


In Stitching Snow by R. C. Lewis, we are introduced to a kick-ass female who is surviving on a hostile planet – both in terms of environment and being surrounded by rough male characters. She makes extra money by fighting in MMA-type matches and winning. She also has strong tech skills, something which she is frequently sought out for. Basically, she is pretty freaking awesome. But then a guy shows up, knocks her out, kidnaps her, and transports her against her will across the galaxy. During this, they kind of sort of start to fall in love. I liked everything about this book except for that. Well, there was one other part that kind of bothered me. You see, Snow has already been established as a strong female character and a skilled fighter. She has fought and won against a ton of men on her home planet. But of course as she enters into possible battle this guy comes along and has to train her to be a better fighter. I can understand that realistically she might need to learn some more precision fighting skills. I just thought it was unfortunate that this previously established strong female fighter was undermined by having her taught how to fight – by of course a man. A man that is holding her hostage as a negotiation tool against a warring planet. I liked the character of Snow, I liked the vast space exploring epic science fiction saga of it all, I just hated the way the male lead chose to execute his plan by literally knocking Snow out, abducting her, and then the reader being left with the expectation that they should accept this budding love story.

In Black Ice by Becca Fitzpatrick, our main character is stuck in a snow storm in the mountains and she is being held captive by two men who are forcing her to help them get back to safety. They want to use her and her knowledge of the area to help them navigate the snowstorm. One or both of them are possibly serial killers. I’m sure you can guess what happens. This could have been an engaging thriller had we not been asked to accept that this girl would literally pine for a boy who not only held her against her will but possibly left her best friend for dead at one point in the story. I literally want to rip the last couple of chapters out of this book, which would make it an entirely different and more palatable story from a girl power point of view.

In Falls the Shadow by Stefanie Gaither, a young woman is misled by a male “friend” and taken to a group that holds her hostage because they want information from her. And because there is a theme happening here, you can guess what happens next.

In The Doubt Factory by Paolo Bacigulupi, a girl is literally held captive in a cage by a group of activists led by the male lead until she agrees to do what they ask her to do. Later, as she begins to realize that they were telling her the truth and that she wants to be on their side . . . well, again, I am sure you can guess what happens. It is this book that I found so compelling and thoughtful in its commentary on the media and publicity machines of our world that I asked The Mr. to read. The thing is, I think it is an entertaining thriller that asks teens really profound and important questions about topics that haven’t been covered a lot in YA literature: how we are marketed to, how people with money influence the information we have and put profits over people, and how government often fails to protect the very people that they are elected to serve. It is for me, as a woman and a mother, so unfortunate that the important thoughts expressed within this narrative are marred by the falling in love with your captor trope. This is thematically one of the most important and thoughtful books I have read this year, but it’s hard for me to get past The Beauty and the Beast effect here. I can’t buy into the second part of the book and this love story because I know it began with this boy putting her in a cage. That is not romantic, it is abusive. And to suggest that it is something that you can forgive or look past and go on to develop a romantic relationship is highly problematic. It’s not the type of messaging we should be sending to our boys or our girls.

The thing is, in each of these books the guys don’t necessarily seem like typical bad guys. They are often, in fact, guys fighting good causes or seeking worthwhile goals, they just choose to do so by taking away the female’s agency and literally holding her captive – which makes them bad guys by default. Even if their intentions are good, they are bad guys because they engage in abusive/violent behavior that doesn’t recognize the agency of the female characters. They kidnap, manipulate, lie, and coerce in order to achieve their goals. The girl begins as a pawn and then we are asked as readers to overlook all of this and accept their budding love stories. We, as readers, are expected to swoon.

In at least two of the narratives the authors at least have the characters acknowledge the existence of Stockholm Syndrome and question their motives for being attracted to the guy. But that possibility is quickly dismissed.

In a single story I might be more willing to overlook this troubling trope, but reading so many instances in such a short time period really made me question how we were portraying our girls in YA fiction and what we are saying to them, at least subliminally, about relationships. So while an author might argue that it isn’t their job to teach or write in a way that transforms young minds, we must also be honest with ourselves and admit that part of the reason we embrace literature and things like We Need Diverse Books is because we do in fact believe that part of how we view ourselves and the world around us is informed in part by the literature we read. We spend a great amount of time and verbiage extolling the power of reading to open minds and create empathy, which means that we believe that literature can influence our thinking. So I would like to see less books that suggest we as women should overlook the fact that a guy is willing to completely undermine a girl’s personal agency and find them in any way desirable. In my opinion, being kidnapped by another person is such a horrific offense that it should be a deal breaker. Subverting a person’s free will and personal autonomy, controlling them, manipulating them, coercion – these are all abusive practices, not romantic in any way. We need to find better ways to tell our stories that re-enforce the idea that female agency is important.