Teen Librarian Toolbox
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Book Review: The Life and Medieval Times of Kit Sweetly by Jamie Pacton

Publisher’s description

Moxie meets A Knight’s Tale as Kit Sweetly slays sexism, bad bosses, and bad luck to become a knight at a medieval-themed restaurant.

Working as a Wench—i.e. waitress—at a cheesy medieval-themed restaurant in the Chicago suburbs, Kit Sweetly dreams of being a Knight like her brother. She has the moves, is capable on a horse, and desperately needs the raise that comes with knighthood, so she can help her mom pay the mortgage and hold a spot at her dream college.

Company policy allows only guys to be Knights. So when Kit takes her brother’s place, clobbers the Green Knight, and reveals her identity at the end of the show, she rockets into internet fame and a whole lot of trouble with the management. But this Girl Knight won’t go down without a fight. As other Wenches and cast members join her quest, a protest forms. In a joust before Castle executives, they’ll prove that gender restrictions should stay medieval—if they don’t get fired first.

Amanda’s thoughts

My reading taste really comes down to two things: show me people just talk, talk, talking OR show me something unique. A contemporary story about a girl who wants to become a knight? Now that’s unique!

There is so much to really love about this book. Kit (real name—brace yourselves—Courtney Love Sweetly) works at a medieval-themed restaurant that’s run by her uncle, but that doesn’t get her any preferential treatment. The place is not great, but Kit absolutely loves her workplace family and desperately needs the job there. She and her older brother (a knight at the restaurant) live with their mom—their dad took off a couple of years ago with all their college money to feed his heroin habit. Their family is constantly worried about money. Electricity gets shut off, there’s very little food, and everything is run-down. They all three work hard, but it’s just barely enough to keep them afloat.

Kit has very real worries about college. She has had a plan for years for herself, but now that the time for college acceptances is here, it looks like that plan isn’t doable. It’s hard to readjust your thoughts and grapple with a new reality. The money just isn’t there for her to follow the path she had long ago set for herself. I appreciate this depiction of teen life so much—a teenager with a job because it’s absolutely essential to the family’s budge, a teen making the very reasonable choice to follow a different college path due to financial reasons.

It’s not all just worries and disappointments for Kit, though. She has great support in Layla, her best friend, and Jett, her other best friend. Kit and Jett decided long ago to never date, for the sake of the friendship, but that doesn’t stop Kit from having a raging crush on him and wishing they could break that pact.

Then, of course, there’s the storyline of her wanting to become a knight. She knows she’s the right girl for the job, her corporate has made it very clear that only cis men can be knights at this restaurant. Outspoken feminist Kit is done tolerating that decree. When she fills in for her brother, Jett films it and the video begins to go viral online, giving Kit a platform to push her cause. She begins to train other friends from work (including trans and nonbinary characters), but with no corporate support and an uncle vehemently against helping her agenda, it’s uncertain whether they will even get a chance to showcase their talents even one time, much less overthrow the whole system.

I was into this story just from the very basic plot: teen girl wants to be a knight at the medieval-themed restaurant she works at. But the many layers of her life made this book so engrossing. And the wonderful (and very diverse) cast of supporting characters made this such a great workplace story, too. Kit is a badass, not just because she wants to smash the patriarchy, but because she’s juggling so much in just her day-to-day life. A great read that deserves lots of attention.

Review copy (ARC) courtesy of the publisher

ISBN-13: 9781624149528
Publisher: Page Street Publishing
Publication date: 05/05/2020
Age Range: 14 – 17 Years

Book Review: The Feminist Agenda of Jemima Kincaid by Kate Hattemer

Publisher’s description

A novel about friendship, feminism, and the knotty complications of tradition and privilege, perfect for fans of Becky Albertalli and Stephanie Perkins.

Jemima Kincaid is a feminist, and she thinks you should be one, too. Her private school is laden with problematic traditions, but the worst of all is prom. The guys have all the agency; the girls have to wait around for “promposals” (she’s speaking heteronormatively because only the hetero kids even go). In Jemima’s (very opinionated) opinion, it’s positively medieval.

Then Jemima is named to Senior Triumvirate, alongside superstar athlete Andy and popular, manicured Gennifer, and the three must organize prom. Inspired by her feminist ideals and her desire to make a mark on the school, Jemima proposes a new structure. They’ll do a Last Chance Dance: every student privately submits a list of crushes to a website that pairs them with any mutual matches.

Meanwhile, Jemima finds herself embroiled in a secret romance that she craves and hates all at once. Her best friend, Jiyoon, has found romance of her own, but Jemima starts to suspect something else has caused the sudden rift between them. And is the new prom system really enough to extinguish the school’s raging dumpster fire of toxic masculinity?

Filled with Kate Hattemer’s signature banter, this is a fast-paced and thoughtful tale about the nostalgia of senior year, the muddle of modern relationships, and how to fight the patriarchy when you just might be part of the patriarchy yourself.

Amanda’s thoughts

Here’s the thing: as an adult, with lots of distance to reflect on my teenage self, there are times I see a lot of myself in a character (or a real teen, for that matter) and feel a sense of connection and nostalgia, but also feel embarrassment and frustration. Enter Jemima Kincaid, strident feminist who makes many missteps and has a lot to learn. Oh, hi there, teenager who is “different” from everyone and proudly so, who totally hates everything related to high school traditions and expectations. I see you. I feel you.

Jemima attends a private school in Virginia. She’s straight, wealthy, and a feminist. She hates the patriarchy (“chauvinistic asshattery”) but doesn’t yet think too hard about the ways she’s internalized things from it, the way she’s complicit in it. Her best friend is Jiyoon, but Jemima is not always a great friend to her, or to anyone. She’s part of the ruling body of the senior class but see’s herself as a total outsider disliked by everyone. Jemima is anti-Powederpuff, anti-prom, anti-dress code, anti-whatever-you’ve-got. She has good reasons to be against those ridiculous traditions and rules, but she’s also just against things, period. She challenges rules and traditions, looking to push boundaries and innovate wherever she can.

Jemima makes many missteps and realizes that, at times, she’s a “crappy feminist.” Jiyoon calls her out for her internalized misogyny. Jemima hooks up with a charismatic but problematic boy, someone she’s super physically into but is not the most enlightened or kind human around. Perhaps Jemima’s biggest revelation over the course of the story is her relationship to the statement “I’m not like the other girls.” What was once a badge of pride for her becomes more complicated as she begins to understand more about herself, her peers, and, yes, her internalized misogyny.

I really loved this very real and honest look at how complicated friendship, feminism, relationships, and high school can be. Full of jealousy, secrets, and conflicted feelings, this novel authentically explores the way we learn to do and be better while making many mistakes along the way. Smart and insightful.

Review copy courtesy of the publisher

ISBN-13: 9781984849120
Publisher: Random House Children’s Books
Publication date: 02/18/2020
Age Range: 14 – 17 Years

Writing Whiteness, a guest post by Kate Hattemer

In a racial justice training I did at the school where I teach, the facilitator asked us to cast our minds back to our early understandings of race. It made me think. I’m a white woman, and despite attending an elementary school that was majority Black, I grew up barely cognizant of my whiteness. I remember being reprimanded for announcing, “I’m not wearing no coat” — that was not how we spoke — and I remember noticing that my honors classes in high school were almost all white, counter to the demographics of the school. That’s about it.

Small Kate in soccer uniform; photo credit Charlie Hattemer

Yet from an early age, I was aware I was a girl and I would be treated differently because I was a girl. I remember a kindergarten classmate shoving me up against a door to kiss me. I remember noticing that the lists of presidents and astronauts and scientists in my children’s encyclopedia were all men. In high school, when I fell deep into the world of competitive trivia games, I remember my teachers and coaches casually posing theories as to why girls weren’t fast on the buzzer. (I was fast on the buzzer.)

I have a lot of childhood memories of being oppressed. I don’t remember so well the experience of being on top.

This is common, I think, and understandable. In a weird way, it can be a whole lot more comfortable to examine ways you’ve been hurt by oppressive systems than to reckon with the ways you’ve been complicit, and perhaps still are complicit, with systems that hurt others. My whiteness informed every day of my childhood — the way I was treated by teachers and shopkeepers and passersby, the places we lived, the jobs my parents had, and on, and on, and on, in many ways I’m sure I don’t know — yet I barely knew I was white. I was just, you know. The default. Not black, not brown. I knew I was Swiss. Did that count?

Unsurprisingly, this discomfort is mirrored in children’s literature. In the past few years, as white authors have felt the need (from both the industry and our own consciences) to diversify our books, I’ve seen — and, yes, I’ve written — a familiar pattern. There’s a white protagonist (WP) who has at least one friend of color (FOC). Maybe WP visits the FOC’s house and eats some authentic kimchi or tacos, or maybe WP notes that FOC has a different hair-care routine. Or maybe WP witnesses a microaggression visited upon the FOC; the WP doesn’t understand at first, but the FOC explains, and the WP comes to a greater understanding of what it’s like for the FOC to move through the world.

I’m not saying this is a problem. It’s certainly better than all-white casts, and it’s better than the colorblind casts of math textbooks, where Latosha has to calculate the chances that the six marbles Xiyuan drew from José’s bag would all be green. But I worry it’s skipping a step. It’s eliding over the fact that white characters, too, have a race. When race is only an issue for our characters of color, the story reinforces the idea that race is not a problem for white people. Yes, white characters should see the way their friends of color deal with race, but they too need to reflect upon and reckon with their whiteness, by the way that their worldview has been unknowingly shaped by their powerful position in the structures of white supremacy.

Poster at protest; credit/caption “Our Feminism Must Be Intersectional Rally/March Pittsburgh” by feral godmother is licensed under CC BY-NC-SA 2.0 

Jemima Kincaid, the white, straight, and wealthy protagonist of my new novel, is a committed feminist. She believes in justice and equity. She deeply wants to change the problematic traditions and toxic masculinity that drive the culture of her private school. But Jemima has huge blind spots. Throughout the book, she works to scrape off that cruddy crust of white feminism and internalized misogyny, but it’s there, and it’s sticky. She learns some things. She remains totally clueless about others. She is eighteen years old.

I’ve learned some things too, and I know I remain totally clueless about others. So I’ll keep reading and listening. I’ll keep thinking about how my whiteness shapes my experience of the world, and I’ll keep thinking about my white characters. Do they grow? Do they learn? Do they change? I don’t believe they have to. Literature doesn’t need a moral. But I do believe that literature should be considered, every aspect of it. If we’re going to keep writing white protagonists, we need white protagonists to reckon with race — not as something they aren’t, but as something they are.

Meet Kate Hattemer

Photo credit: Emma Hattemer

Kate Hattemer is a native of Cincinnati, but now writes, reads, runs, and teaches high school in the DC metro area. She is the author of The Vigilante Poets of Selwyn Academy, which received five starred reviews, The Land of 10,000 Madonnas, and Here Comes Trouble. Find her online at her website, www.katehattemer.com/, on Instagram @katehattemer, or on Twitter @katehattemer.

About THE FEMINIST AGENDA OF JEMIMA KINCAID

A novel about friendship, feminism, and the knotty complications of tradition and privilege, perfect for fans of Becky Albertalli and Stephanie Perkins.

Jemima Kincaid is a feminist, and she thinks you should be one, too. Her private school is laden with problematic traditions, but the worst of all is prom. The guys have all the agency; the girls have to wait around for “promposals” (she’s speaking heteronormatively because only the hetero kids even go). In Jemima’s (very opinionated) opinion, it’s positively medieval.

Then Jemima is named to Senior Triumvirate, alongside superstar athlete Andy and popular, manicured Gennifer, and the three must organize prom. Inspired by her feminist ideals and her desire to make a mark on the school, Jemima proposes a new structure. They’ll do a Last Chance Dance: every student privately submits a list of crushes to a website that pairs them with any mutual matches.

Meanwhile, Jemima finds herself embroiled in a secret romance that she craves and hates all at once. Her best friend, Jiyoon, has found romance of her own, but Jemima starts to suspect something else has caused the sudden rift between them. And is the new prom system really enough to extinguish the school’s raging dumpster fire of toxic masculinity?

Filled with Kate Hattemer’s signature banter, this is a fast-paced and thoughtful tale about the nostalgia of senior year, the muddle of modern relationships, and how to fight the patriarchy when you just might be part of the patriarchy yourself.

ISBN-13: 9781984849120
Publisher: Random House Children’s Books
Publication date: 02/18/2020
Age Range: 14 – 17 Years

Book Review: Revenge of the Red Club by Kim Harrington

Publisher’s description

A tween reporter discovers an important and beloved club at school is being shut down—and uses the power of the pen to try and activate some much-needed social change in this period-positive and empowering middle grade novel about the importance of standing up for what you believe in.

Riley Dunne loves being a member of the Red Club. It’s more than a group of girls supporting each other through Aunt Flo’s ups and downs; it’s a Hawking Middle School tradition. The club’s secret locker has an emergency stash of supplies, and the girls are always willing to lend an ear, a shoulder, or an old pair of sweatpants.

But when the school administration shuts the Red Club down because of complaints, the girls are stunned. Who would do that to them? The girls’ shock quickly turns into anger, and then they decide to get even.

But wallpapering the gym with maxi pads and making tampon crafts in art class won’t bring their club back. Only Riley can do that. Using the skills she has cultivated as her school paper’s top investigative reporter (okay, only investigative reporter), she digs for the truth about who shut the club down and why. All the while dealing with friendship drama, a new and ridiculous dress code, and a support group that is now more focused on fighting with each other than fighting back.

Can she save the Red Club before this rebellion turns into a full-scale war?

Amanda’s thoughts

My friends. MY FRIENDS. This book came out in October. I read it over the winter break after picking it up at my public library. I didn’t even take notes as I read. I figured I’d write a Post-It Note Review about it and be good. BUT. This book is SO good and SO important that I needed to give it its own space. I know we all have towering TBR stacks and endless scrolls of lists, but you really do need to find a few hours to sneak this book in. If you work in a middle school/middle school library/serve young teens, you especially need to familiarize yourself with this book. I was going to say, when I was growing up, all we had was Are You There God? It’s Me, Margaret for books that talked at all about periods, but guess what? Periods are STILL so often completely ignored in books for young readers and teens. So here you go. A whole book about breaking the stigma that comes with having/acknowledging periods.

The Red Club is amazing. They support each other, provide each other with supplies and information, and work hard to normalize periods. There’s a lot more that goes on in this story—the dress code rears its ugly head, the principal demands prior review of newspaper articles (hey, I wrote my entire senior year project/paper about that very issue way back when I was a teen!), and The Red Club gets shut down. Riley and friends organize, protest, and speak up about all of these injustices and ways of shaming girls. I love the club and want it to exist in all schools. ALL schools need a locker that students can access for supplies and extra clothes. ALL schools should have this book.

ISBN-13: 9781534435728
Publisher: Aladdin
Publication date: 10/22/2019

Book Review: Watch Us Rise by Renée Watson and Ellen Hagan

Publisher’s description

watch us riseNewbery Honor and Coretta Scott King Award-winning author Renée Watson teams up with poet Ellen Hagan in this YA feminist anthem about raising your voice.

Jasmine and Chelsea are best friends on a mission–they’re sick of the way women are treated even at their progressive NYC high school, so they decide to start a Women’s Rights Club. They post their work online–poems, essays, videos of Chelsea performing her poetry, and Jasmine’s response to the racial microaggressions she experiences–and soon they go viral. But with such positive support, the club is also targeted by trolls. When things escalate in real life, the principal shuts the club down. Not willing to be silenced, Jasmine and Chelsea will risk everything for their voices–and those of other young women–to be heard.
These two dynamic, creative young women stand up and speak out in a novel that features their compelling art and poetry along with powerful personal journeys that will inspire readers and budding poets, feminists, and activists.

 

 

Amanda’s thoughts

This book is so good. Order it, read it, book talk it, display it, love it.

 

Jasmine, Chelsea, and their friends attend a high school all about social justice and equity (or, allegedly it is). All students are required to be in a social justice club. But, like everywhere, their school is not perfect, with racism, sexism, and more alive and well. Jasmine and Chelsea leave their clubs to form a women’s rights club, focusing their intersectional feminism and activism on and around their lives at school. Together with their best friends Nadine and Isaac, they create art and foster conversations about many important issues. Jasmine, who is black, is a writer and an actress. Isaac, who is Puerto Rican, is a visual artist. Japanese and Lebanese Nadine is a singer and  DJ. And Irish and Italian Chelsea is a talented poet. Together, they inspire each other and help each other learn, grown, discover, and act. This book covers a lot of ground, tackling so many subjects in honest, creative, and effective ways.

 

I’m going to leave this review short and simple, because the real joy will come from reading about these smart, passionate, and motivated young people for yourself. This book is immensely readable—I burned through it in a couple of hours. Great dialogue, great writing, great poetry, great characters, great everything. It’s not often that I find a book wholly satisfying. And, even more rare, this book made me feel nostalgic for my teen years, remembering back to when I was a zine-writing young feminist and Gender and Sexuality Studies student. Empowering and inspiring, this book demands a wide readership. 

 

Review copy courtesy of the publisher

ISBN-13: 9781547600083
Publisher: Bloomsbury USA
Publication date: 02/12/2019

Feminist AF Fashions and the YA Characters That Rock Them

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For a long time, I bought into the lie that a feminist couldn’t be girly or care too much about fashion. I believed that in order to be a feminist, you had to reject all things associated with what it traditionally meant to be female. Pink and tutus, for example, were straight out. By over time, I learned that this belief was not, in fact, feminist. This is one of the reasons why when I was designing the Feminist AF graphic, I purposely choose to use an image of a red sequined background. Young feminist Karen would have rejected anything with glitter or sequins and pearls or whatever as not feminist. Young feminist Karen would have been wrong. I love the image so much that I had a cell phone case made out of it, which is what I now proudly carry. (Ordered via Snapfish)

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The Teen models my TLT Feminist AF phone case

Meanwhile, The Teen found her own way to turn her phone into a Feminist AF fashion statement. Be sure to check out how she organized her apps.

femphone2

 

Today, guest poster Lisa Krok is talking with us about Feminist AF fashion statements and then she shares some books featuring YA characters that rock all kinds of fashion. Because feminist and fashion can go together and we can rock it!


 

While teens don’t have Cinna on hand to style them like the Girl on Fire, many choices are out there to cover feminist fashionistas from head to toe. Starting at the top, teens can keep warm and in vogue with this handmade beanie, found on Etsy. Alternatively, for a golden glam look, try David and Young’s feminist baseball cap, found on Poshmark.

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https://www.etsy.com/listing/504546661/feminist-black-beanie-hat-white-text

https://poshmark.com/listing/Baseball-Feminist-hat-

What better way to accent your feminist cap than with some badass earrings!  Author Hillary Monahan creates fun and funky jewelry choices with feminist options featured in her Etsy shop.

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https://www.etsy.com/shop/HillsPeculiarities

Up next, some trendy t-shirts to flaunt girl power.  Amazon.com hosts a plethora of listings from a variety of sellers.  One of the best ways to promote feminism is of course to support and empower each other, and resist those who do not.   www.amazon.com

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Your feet need some love, too. Try these lively socks that are just a sampling of many choices from Blue Q  https://www.blueq.com/socks/ .

femsocksLast but not least, teens need the most important accessory of all: an awesome book! Feminist AF Fashionistas come in a wide array of forms and these characters (and books) prove it:

A Flair for Glam

Hair, body, face…and the DRESS!

femdress

Tough as Nails

Rock some Timbs like Bri,  shoot purple lightning from your hands, or wear a snake as jewelry.

femnails


Fashion Has No Limitations

All genders, all sizes, all cultures, and all sexual orientations.

femmultiEditor’s Note: You can also teach teens to make their own feminist fashion statements, so look for an upcoming post where I share with you just how you can do this.

Meet Our Guest Poster

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-Lisa Krok is a Feminist AF Ravenclaw, library manager, and 2019 and 2018 Quick Picks for Reluctant Readers committee member. She is counting the days until we have a female POTUS. Lisa can be found being bookish and political on Twitter @readonthebeach.

The 2019 Project: Feminist AF!

Every year since 2014, TLT has picked a project or area of focus to help guide the year. We still post book reviews, program outlines and discussions, we still talk about librarianship and teen issues, but we choose one overarching theme that we really want to deep dive into and discuss. Previous years have included an in depth look at sexual violence, faith and spirituality, mental health and social justice in the life of teens and in YA literature. This year our guiding principle is this: Feminism. In the year 2019, TLT will be Feminist AF.

feminist

At it’s most basic, feminism is defined as: a range of political movements, ideologies, and social movements that share a common goal: to define, establish, and achieve political, economic, personal, and social equality of sexes. This includes seeking to establish educational and professional opportunities for women that are equal to those for men. (Wikipedia, not a great source I know, but it’s the source that most people will start with.

This year we saw a man confirmed to the Supreme Court even though there were allegations that he had sexually assaulted Dr. Christine Blasey Ford. A little less than one week was given to investigating the allegations, which surprised no one that has paid attention to the way victims of sexual violence are treated. At the same time, men convicted of sexual violence against women often get zero to little time and are often put on probation for short periods of time. Even in the midst of the #MeToo movement, men are still being let off with very few repercussions for their acts of violence against women.

With the recent government shut down, Congress has allowed the Violence Against Women Act to expire.

Reproductive rights and women’s full bodily autonomy is under constant attack.

Beto O’Rourke, a man I voted for, is being touted as the next presidential contender for the Democratic party even though women like Stacey Abrams, a black woman and major political contender, are not being equally considered.

Trans women, particularly trans women of color, are still being murdered at alarming rates with very little press recognition or public outcry.

The ways in which we talk about teenage girls and the things that they love.

Toxic masculinity culture and it’s effects on all genders and those that identify as non-gender specific or non-binary.

Affordable childcare. Affordable healthcare. Affordable education. Equal pay. Equal rights. Marriage equality. Equal everything.

This list could, sadly, go on and on.

So in the year 2019, we’re going to be Feminist AF and talk about what it means to be a feminist and what it doesn’t. We’re going to make book lists, we’re going to discuss books, we’re going to talk about programming, and we’re going to dive into the issues. All of them. BUT WE NEED YOUR HELP.

That’s right, this discussion/project involves you. As always, you are invited to come and guest post. So if you would like to write a guest post (or a few, because you’re not limited to just one), please fill out the Google Form to let us know what you want to talk about and when you would like to talk about it. We will try and get back with you in a timely manner. Robin Willis is our primary guest post coordinator but we hope this project will be bigger than what she can handle so it may be Amanda MacGregor, Ally Watkins or myself (Karen Jensen) that gets in touch with you. Please take a moment to review our guest post guidelines here to help you know how you can streamline the actual guest post submittal process (please, please, please include a post title because I stink at picking good post titles). It’s a year-long, ongoing project so there is no deadline. If you find yourself with a brilliant idea for discussion in October, we will still gladly accept your proposal. Librarians, authors (yes, you can use this as an opportunity to promote your book), parents, teens – everyone is invited to participate.

Wishing you a Happy and Feminist AF New Year! We look forward to talking about feminism with you in 2019.

#ReadForChange: Women Conquer and Dragons Slay in Elana K. Arnold’s Damsel

 

ReadForChange copyTeen Librarian Toolbox is excited to be partnering with Marie Marquardt for her #ReadForChange project. Hop on over to this post to learn more about the initiative. Today, she and Elana K. Arnold join us for a conversation about fairy tales, rage, feminism, and Arnold’s 2018 book  Damsel

 

 

I’m always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality, and it’s very shocking to the system.”

– Flannery O’Connor, Mystery and Manners: Occasional Prose

 

Shocking the System with Damsels, Dragons, and Dashing Princes

 

damselThis month’s #ReadForChange is the first fantasy/ fairy tale I’ve chosen to feature. I know some of you readers out there might be wondering: How can the re-cast fairy tale of a fierce dragon, a conquering prince, and a “damsel” (that he, um, rescues?) plunge right into the heart of contemporary issues? If you’re one of those people wondering, then you haven’t yet had the chance to read Elana K. Arnold’s captivating novel, Damsel.

 

In Damsel, Elana returns us to the classic legends, found across many cultural traditions, of dragons in their lairs, protecting their most precious possessions, of privileged men living into their society’s expectations that they become conquerors, and of “damsels” – seemingly defenseless, often distressed, and appearing to be in need of rescue. I won’t ruin your experience of reading the story by sharing Damsel’s astonishing twists and turns. Suffice it to say that Elana works wonders with this classic tale, reshaping it into a powerful feminist narrative perfectly suited to our time.

 

I’ll offer only one example of the story’s contemporary relevance: Shortly after she’s been “rescued” by the dashing price, Ama, the story’s protagonist, takes a wild lynx kitten as a pet. Her prince has murdered the kitten’s mother, ostensibly to (again) rescue Ama. Ama feels both a responsibility for and a strange kinship with the orphaned wild animal. She names the lynx “Sorrow.” Although Sorrow longs to return to the wild, the kitten stays by Ama’s side as Ama moves into the prince’s castle and begins preparations to marry him. (Needless to say, no one has bothered to ask Ama whether she actually wants to marry the prince.) Shortly before the story comes to its shocking close, Ama decides to release Sorrow back into the wild, telling the now-grown cat: “Sorrow is no more your name. Now I call you Fury.”

 

In recent weeks, I’ve seen so many women – women who have, like Ama, felt trapped, confused, and overwhelmed – shift from Sorrow to Fury. Elena Arnold’s legendary tale of a dragon, a damsel, and a dashing prince might be just the story we need for motivation to transform that fury into action.

 

Before we move on: Here’s one action for all of you Readers-For-Change: if you’re over 18, please VOTE on November 6. If you’re under 18, I hope to bump into you out there on the streets, drumming up support for our favorite candidates!

 

“The creative water that filled my well was… rage.”: An Interview with Elana K. Arnold

 

imagesMARIE: There’s no doubt that Damsel is a novel with a powerful feminist message – one well-suited to our time. What made you decide to write such a bold, unflinching story of men abusing their power, and of abused women recovering their own power?

 

ELANA: Damsel, I think, is a natural extension of the work of my previous two novels, What Girls Are Made Of and Infandous, both of which deal with embodied female shame. I found, after working on those two books for close to five years, that the process of writing them was a cathartic means of healing myself from the shame I’d felt all my life—the shame of my body, the ways in which I’d fit myself into a form I felt was expected of me. What was left, when the shame was gone, was this clear, pure rage. That rage is what I drew from when writing Damsel. As a writer, I work with what I have, what I’ve been filled up with, what my personal experiences have been. In the past, the creative water that filled my well was shame, and so that was what I worked from. This time, it was rage—propelled by my own lived experience.

 

MARIE:  I have to admit, the fairy tale trope of the prince “rescuing” the damsel seems an odd place to begin a feminist tale. What compelled you to return to the classic legends of dragons, damsels, and dashing princes?

 

ELANA: Traditionally, fairy tales have been written by men who shaped the stories into commodities that could be sold, products that centered female bodies as consumable objects, morality lessons, and prizes to be won. These are the stories many of us were raised on, so they were some of the material that formed me. Revisiting them and reflecting on how they might be re-formed by centering the effects of making women into prizes rather than leaving the stories when the women are “won” felt like a meaty and interesting challenge.

 

MARIE: How do your concerns about such issues as abuse, toxic masculinity and a culture of conquest shape your actions in the real world? What actions are you taking to create the world you want to live in?

 

ELANA: My concerns about the issues you named shape all my actions. They inform the way I vote, the causes to which I donate time and money, the way I raise my children, how I have committed to speaking up in situations that feel unsafe to myself or others. I hope that my creative work helps give readers language for their lived experiences; by writing an alternate version of the damsel’s journey, maybe my work will light a fire in those who have felt powerless.

 

MARIE: I know that it will! For readers whose fires have been lit, what’s your advice?

 

ELANA: Don’t wait for later. You don’t need to wait for permission to make a change. In many states, you can pre-register to vote up to two years before you’re old enough to cast your first ballot. You can learn more here.

 

Come up with a plan. Many of us, when faced with scary situations, freeze up and do nothing, or “play possum,” just waiting for the bad thing to go away. But if you can decide ahead of time what your script will be in, for example, a situation in which you see someone acting in a racist or sexist manner, then you are more likely to do something.

 

“Wonderful, wise, work:” Elana’s excellent recommendations for learning more.

 

“There is so much wonderful, wise work being done, and there are many amazing resources.” Here are a few books Elana recommends:

 

Can We All Be Feminists? New Writing from Brit Bennett, Nicole Dennis-Benn, and 15 Others on Intersectionality, Identity, and the Way Forward for Feminism, edited by June Eric-Udorie

can we all

Nevertheless, We Persisted: 48 Voices of Defiance, Strength, and Courage (With a forward by Amy Klobuchar)

nevertheless

Our Stories, Our Voices: 21 YA Authors Get Real About Injustice, Empowerment, and Growing Up Female in America, Edited by Amy Reed

our stories

How I Resist: Activism and Hope for a New Generation, Edited by Maureen Johnson

how i resist

Elana’s also a fan of the work Teen Vogue is doing. Check it out here. 

teen vogue2

And, there’s a wonderful podcast called KidLit Women that she’s actively following.

 Kidkit women

Want to take action? Need to reach out for help? Elana has some suggestions.

 

Elana’s an active donor to Planned Parenthood. You can learn more about their work here.

 

DAMSEL deals with issues of sexual assault, rape culture, and gaslighting. Elana recommends RAINN as a wonderful resource if you need help.

 

Win a copy of Damsel, fiery hot off the presses!

This new release is such a great read, and it will get you fired up to take action! Here’s a link to the giveaway. We’ll be announcing the winner on Twitter @MarieFMarquardt and Instagram marie_marquardt November 1!

 

Meet Marie Marquardt

Women’s March, January 21, 2017

Women’s March, January 21, 2017

Marie Marquardt is the author of three YA novels: The Radius of UsDream Things True, and Flight Season. A Scholar-in-Residence at Emory University’s Candler School of Theology, Marie also has published several articles and co-authored two non-fiction books about Latin American immigration to the U.S. South. She is chair of El Refugio, a non-profit that serves detained immigrants and their families. She lives with her spouse, four kids, a dog and a bearded dragon in the book-lover’s mecca of Decatur, Georgia.

 

 

 

#ReadForChange: Back to School with Brendan Kiely’s TRADITION

ReadForChange copyTeen Librarian Toolbox is excited to be partnering with Marie Marquardt for her #ReadForChange project. Hop on over to this post to learn more about the initiative. Today, she and  Brendan Kiely join us for a conversation about power, feminism, toxic masculinity, taking action, and Brendan’s powerful 2018 book, Tradition. Please see the end of this post to enter to win a signed copy of this book! 

 

 

 

There’s really no such thing as the “voiceless.” There are only the deliberately silenced, or the preferably unheard.

– Arundhati Roy

 

“How Can Men be Better Feminists?”

 

Brendan-Kiely-Book-Tradition

Okay, folks. I’m about to climb up on my soapbox for a little bit, so get ready. (Or ignore this post until you’re prepared for a rant. These are tough times. Please be gentle with yourself!)

 

If you’ve been paying any attention at all to what’s happening in the world around you, then the claim I’m about to make will not come as a surprise. Many of the terrible ills that plague our society — and, here in the United States, also threaten our democracy — can be traced to a certain sort of privileged man. You know the type – they carry their entitlement as if it were somehow built into their DNA. They simply assume themselves to be untouchable – above the norms and laws and ethics that hold our communities together. And, if we’re being really honest, they pretty-much are able to live above or outside of those shared norms. Why? Because they live deep inside institutions that both grant them this power and protect them from losing it. They abuse their power. They abuse people because they perceive those people as objects, and not as their fully-human equals.

 

But then there are the men we may expect to be “the type” until we find out how very, profoundly wrong we are. They may be the jocks, the prep-school kids. They may be the recovering addicts. They may be the men who have made terrible mistakes, but who humbly seek guidance, looking to other people as models for how to live well. These men seek to understand the difference between right and wrong, and then they try to do what’s right. Sure, they mess up sometimes. But they try, and that means something.

 

They share a few things in common: they listen, they embed themselves in communities of trust. And by listening carefully in these communities, they learn – maybe slow and faltering – how to fight alongside their fully-human equals for what is right and good.

 

Brendan Kiely has astonishing talent. He writes stories that reveal to us both of these characters, while also unmasking the institutions that shape their lives (think: churches, police forces, and prep schools). His first novel, The Gospel of Winter is the gut-wrenching story of Aidan, a terribly broken boy, who struggles to decide whether he should reveal the abuse inflicted by his priest. I won’t claim that it’s an easy read (it’s particularly excruciating for Catholics like myself), but it’s powerful and compelling and – in the end – hopeful. In All American Boys (co-authored with Jason Reynolds), he introduces Quinn, who has to re-think everything he thought he knew about right-and-wrong, good-and-bad, when his mentor and big-brother figure, a police officer, assaults a black teenager from his high school.

 

Tradition, Brendan’s most recent novel, unflinchingly reveals life inside of a prep-school infused with toxic masculinity. More importantly, though, the story celebrates those courageous people who dare to make visible the toxic abuse of power, and of people. Tradition is, like most excellent novels, a multilayered story. But it is, at least in part, the story of how a boy named Bax, burdened by the mistakes of his past, learned to trust that he knew right from wrong and then developed the courage to do what was right.

 

“Before I act, I need to listen.”: Real Talk with Brendan Kiely

Brendan-Kiely-AuthorMARIE: Tell us about the moment when you knew that this story had to be written, and that you needed to address these tough themes head-on.  

 

BRENDAN: I’m hesitant to locate a moment, partially because I’m kind of dense and rarely respond to (or recognize when it hits me!) a bolt of inspiration, but also because I’m associative and nonlinear. Parts of my past resonate with parts of my present and when the emotions seem correlative, I know there’s a story in there. Also, as I’m looking around at the world, I formulate questions I want to try to address through fiction.

By way of example, I’ve shared this story before, and I think it does get at the crux of why I wanted to write Tradition.

Shortly before my senior prom, my high school allowed a tuxedo rental company to hang advertisements in the halls of our academic building. In the poster, four guys in tuxedos huddled around one girl in a prom dress, but the girl was tipped headfirst toward the floor, her legs in the air, spread open. In my all-boys’ high school, the poster reinforced the old trope of prom = sex, but it also signaled a deeper, more dangerous message as well: wear our tux and get what you want, because you are entitled to it.

The reality of that second message became clear to me when, a few weeks before going to college, I got a call from a friend, a girl who had been at that same prom. She’d been raped at the beach that summer. She didn’t want to share the details; she just wanted me to know. I listened. I believed her. Because I thought about that poster. I thought about the graffiti in my high school locker room and bathroom stalls. I thought about the way so many guys joked about sex aggressively, competitively. None of it was innocent. All of it reeked of entitlement.

An environment in which the boys think and are told they are entitled to sex, and all the messaging is about sex as a goal, and none of it is about consent and agency and seeing the human being, is an environment that nurtures, that is, rape culture. And a definition of masculinity that emerges from a culture which silences, shames, and gaslights women is dangerous—it harms women and robs men of the potential to be better human beings.

This all came back to me when in 2015 I saw the video of Emma Sulkowitz dragging her mattress across the graduation stage at Columbia University in an act of bravery and tenacity to remind the world she would not be silenced, that the story of her assault would not go unheard. The boarding school culture Jules and Bax grapple with in Tradition mirrors our broader society—all too many institutions are riddled with insidious and deeply entrenched misogyny—and I wanted to write about people who challenge that status quo. I wanted to write about the strength of women who stand up and speak out about misogyny, and also, especially as a man writing this book, I wanted to write a novel that asked: How can men be better feminists? What are men’s roles in this time of necessary cultural reckoning?

 

MARIE: What actions are you taking in this time of cultural reckoning? How are your actions, and the way you choose to act, shaped by your own identity?

 

BRENDAN: I love this question because it asks us writers to address the notion of accountability in our lives. Regardless of our intentions in telling the story, how do we live our lives?

As someone with a vast amount of social power and privilege, I’m white, male, cis-gendered, heterosexual, and not disabled, action is the language I’m accustomed to. That’s part of the privilege—I feel emboldened to act, I feel free to act. So though action is necessary, for those of us with these kinds of privileges, I think we should practice humility first and always. Choose to listen to the people in our lives, choose to listen so that we can better understand, but also so we can strengthen our empathetic hearts, instead of just telling myself, “here’s what I think I can (or should) do.” If I want to help create a more just and equitable world, before I act, I need to listen.

When my grandmother, a Catholic, and the matriarch of my predominantly Catholic family, read my first book, The Gospel of Winter, a novel about a 16-year-old boy struggling to decide whether or not he should tell people he’s been abused by his priest, I was nervous to hear what she thought. But she said, “Brendan, your book reminds me of Solomon asking God for a listening heart.” Her wisdom was profound and shook me to the core. In my life, my writing, my relationships, and all work I ever hope to do, I try to remind myself of her words, and strive to find, nurture, and practice, a “listening heart” before I act.

So rather than list the things I do (most of which are in organizations working toward more racial justice in various institutions), I’d rather emphasize the work I think we all need to do before we act: listening and believing the stories we hear—and for those of us who are men or white like me, particularly listen to and believe the stories of women and people of color, who have all too often been silenced or unheard.

 

MARIE: I love this wisdom! For readers who have been doing the careful work of developing this empathetic and listening heart, and who think they may be prepared for action, what’s your advice?

 

BRENDAN: I think it is important to remember that if we want to challenge established authority and status quo, there are inherent risks. It is dangerous to think we can affect change overnight, and it is dangerous to forget just how much work so many people have done before us in the work we hope to do today. Before joining or starting a movement, I think everyone should look through a few key texts to understanding to work, the cost, and the history. For example, one might check out these three graphic guides: A Brief History of Feminism by Patu, Antje Schrupp, and Sophie Lewis; March Trilogy by John Lewis, Andrew Aydin, and Nate Powell; and Introducing Feminism: A Graphic Guide by Cathia Jenainati and Judy Groves.

 

Brendan's Recommended Books (1)

 

And, after reflecting on the work that people have done before us, if you do choose to act, always act in a group, not alone. The most successful action is collective, not individual. By partnering and growing your numbers in your own organization, you can be a lot more effective in your community.

 

In my perfect world, there’d be a Feminist Club in every high school in America. So, if there isn’t already a Feminist Club at the school, I’d recommend students starting one from which to grow and connect to other organizations. And if there already is a Feminist Club, maybe consider researching the kind of actions other organizations (such as the ones below) have done or are already doing and either mirror those plans or find ways to partner with those organizations in your own school.

 

 

Ready to learn more and “strengthen our empathetic hearts”? Here are Brendan’s recommended reads

 

To get us started, Brendan recommend an excellent list of recent articles that “lay out the realities of sexual harassment and assault and rape culture”:

 

“#MeToo is a wakeup call: We need to talk to youth about sexual health and ethics” (Salon)

 

“The reckoning: Women and power in the workplace”  (New York Times)

 

“Your reckoning. And mine.” (The Cut)

 

“What does a lifetime of leers do to us?” (New York Times)

 

“#MeToo creator answers 10 questions and perfectly explains what the movement is all about” (UpWorthy)

 

“Stop telling us how to confront an epedimic of violence and abuse: Rebecca Solnit on the #MeToo backlash” (LitHub)

 

Brendan also points us all toward a couple of powerful feminist books:

 

Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions by Chimamanda Ngozi Adichi

pic1

We Should All Be Feminists by Chimamanda Ngozi Adichie

pic2

 

Men Explain Things to Me by Rebecca Solnit

pic3

 

And, when you’re ready to take a break from the books, he’s got several fabulous suggestions for documentaries and videos:

 

The Mask You Live Ina Representation Project documentary about the construction of masculinity

 

Nanette – a stand-up comedy act by Hannah Gadsby

 

Why I’m done trying to be “man enough” – a TED talk by Justin Badoni

 

 “Regardless of our intention in telling the story, how do we live our lives?” Ready to take action?  Here are a few organizations doing great work:

 

Creating Consent Culture – An international movement that educates and enlightens the masses on sexual assault and holistic healing to end sexual violence once and for all.

 

Ultraviolet – A community of people mobilized to fight sexism and create a more inclusive world.

 

NOW Campus Action Network – Young feminists bringing activism to their schools and colleges.

 

TRADITION #RFCHead Back to School with #ReadForChange

If you’re hoping to head back to school with a free signed copy of Tradition, here’s a link to the giveaway. We’ll be announcing the winner on Twitter @MarieFMarquardt and Instagram marie_marquardt September 1!

 

 

 

 

 

Meet Marie Marquardt

Women’s March, January 21, 2017

Women’s March, January 21, 2017

Marie Marquardt is the author of three YA novels: The Radius of UsDream Things True, and Flight Season. A Scholar-in-Residence at Emory University’s Candler School of Theology, Marie also has published several articles and co-authored two non-fiction books about Latin American immigration to the U.S. South. She is chair of El Refugio, a non-profit that serves detained immigrants and their families. She lives with her spouse, four kids, a dog and a bearded dragon in the book-lover’s mecca of Decatur, Georgia.

 

What a strange time to be a woman, a guest post by Bree Barton

tltheader

Author Bree Barton, whose book, HEART OF THORNS, is out today, joins us to talk about freedoms, feminism, power, and stories. Hop on over to this link to see Amanda’s review of Bree’s new book. 

 

 

In some ways, we have never enjoyed more freedom. As I write this post, I am sitting in a café drinking crimsonberry tea and wearing short shorts—an outfit that would have seen my grandmother shunned by “polite society.” I went to a good school and got a good job. At thirty-three, I don’t have kids, and no one is pressuring me to. Last year I saved up money and took myself to Iceland for ten days on a book research trip. I never once felt unsafe.

 

In other ways, we are stripped of our freedoms every day.

 

I’ve always been interested in what it means to have a body, especially as a woman. What brings us pleasure? What brings us pain? Who has control over our bodies? I wish the answer to the last question were unequivocally “ourselves,” but we know that isn’t true. Controlling someone else’s body is about power, and historically, that power has belonged to men. The church. The government. Husbands. Doctors. And, most recently: the Supreme Court.

 

But to be perfectly honest, those questions were not at the forefront of my mind three years ago, when I started writing my debut fantasy novel.

 

We’d had a good few years. I canvassed for Obama in 2008, riding the wave of optimism undulating across the country. Sure, the years under the Obama administration weren’t as rosy as they’d appeared on those “YES WE CAN” posters. But they weren’t that bad. Right?

 

Besides, we had Hillary. I watched Hillary Clinton decimate Donald Trump in the debates with tears in my eyes and pride in my heart. We were going to have our first female president. If I did decide to have children someday, they would grow up never questioning that a woman could be in charge.

 

As a cis white woman, I thought about power in an abstract sense, the way a palm tree imagines a blizzard. That’s the thing about privilege: it’s so inherent for those of us who benefit from it, most of the time we don’t even know it’s there. I knew my book would have magic—it was, after all, a fantasy—and magic typically involves an exploration of power. But that was just fiction. It wasn’t real.

 

Then November 2016 happened.

 

Suddenly, I caught a glimpse of what people of color, my LGBTQIA+ friends, and anyone from a marginalized community had known all along: the world was not an equal playing field. The game was rigged. I only got a taste of the reality they faced on a daily basis, but that taste was staggeringly bitter.

 

Though I will never understand their centuries of pain, I began to see the ripple effect of our new president’s policies. I could no longer afford my health insurance. On my last covered trip to the gynecologist, she urged me to consider an IUD. “Just to be safe,” she said. “Since we don’t know what’s going to happen.”

 

Meanwhile, one of my favorite nonprofits closed its doors after 20+ years. My local library had to abbreviate their hours, thanks to budget cuts. Nightmare stories began to pile in—hate crimes, casual racism, threats to deport kids from LA Unified. I did what everyone did: Unfriended bigoted relatives on Facebook. Read all the memes. Cried over the thought pieces. Called my representatives.

 

heart of thornsAnd then I took the draft of my debut novel—and I burned it to the ground.

 

Heart of Thorns didn’t start out as an expressly feminist fantasy. I hope everything I ever write is feminist, but not until the presidential election did the story truly snap into focus.

 

In the first two drafts of HoT, I had a fuzzy concept of an “evil king.” After Trump seized the throne, let’s just say that character emerged in high definition. For the first time I saw King Ronan of Clan Killian for what he was: a hateful tyrant who seals the borders, persecutes people of color, and abuses his bisexual son. A man who not only condones assaulting women, but makes it actual policy.

 

I wrote about the unmitigated reality of the United States: racism, misogyny, xenophobia, hate. Sci-fi and fantasy authors talk a lot about wordbuilding, but for me worldbuilding was a three-prong process: read the news, shudder in horror, then write it into fantasy.

 

As I shredded my draft to ribbons, a new question knit itself together in my brain. What if our bodies evolved to shift the power imbalance? What if the “tables turned” and magic focalized in a woman’s body gave her power over men? How would she use that power? For good, or for evil?

 

I knew in my bones I wanted to create a magical system in which the female body had evolved to right the imbalance of power. In the world of Heart of Thorns, this power is why women are feared and hated…but the more they are feared and hated, the more powerful they become.

 

This is a strange time to be alive. But if there is one thing I’ve learned from the heartbreaking events of the last two years, it’s that we have never needed stories more. Stories allow us to write about the horrors of the present—and they also empower us to write the future we desire.

 

In 2017, I launched Rock ‘n’ Write, a nonprofit dance and writing class for preteen and teen girls. Every week we come together to dance, write, and connect; to move our bodies and open our minds. What I tell my girls is, stories have power. Anyone who tells a story—or crawls inside the ones they read—does possess magic.

 

Today’s culture tries to alienate us, to remind us of the ways we are different. Books remind us of the ways we are the same. We need libraries now more than ever. We need librarians to lead kids to books. We need stories to shine light on every corner of humanity—the bad, the good, the resplendent. This is why we read. Always and forever, we yearn to be drawn into the light.

 

 

Meet Bree Barton

Bree BartonBree Barton is a writer in Los Angeles. When she’s not lost in whimsy, she works as a ghostwriter and dance teacher to teen girls. She is on Instagram and YouTube as Speak Breely, where she posts funny videos of her melancholy dog. Bree is not a fan of corsets.